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Read through the most famous quotes by topic #beau
Some people have at least one person, that *special* somebody, that sees them as the cutest, most handsome, and most beautiful person in the world; inside and out. There's nothing or no one that can stop that person from seeing that person that way. All that special somebody does is think about the one they desire and ways to make them happy and smile. They feind and feed off that person's touch; even the touch of their eyes on their skin. It's like the whole world around them fades and there's nothing else they see. Nothing else they even WANT to see. They want that person to like them, love them, and desire and long for them the way they do. They see this person and once again believe that "happily ever afters" can exist. They convulse with the creativity for romance and new ideas and ways to put a smile on their desired one's face. The want and need to share their deepest thoughts and feelings oozing from every pore on their skin. The essence of their presence leaves the thickest aura of passion in the air around them. If they had them, nothing else in this world would matter. To have anything even *similar* to this with someone is to have everything you'll ever need in a lover or some you find intimately significant. When or IF I ever find this, the words will never be associated with me again ↗
Knowing you don’t have much time left changes things. You get kind of philosophical. And you figure things out—more like, they figure themselves out—and everything gets real clear. Your first kiss isn’t as important as your last. The math test really didn’t matter. The pie really did. The stuff you’re good at and the stuff you’re bad at are just different parts of the same thing. Same goes for the people you love and the people you don’t—and the people who love you and the people who don’t. The only thing that mattered was that you cared about a few people. Life is really, really short. ↗
Each in His Own Tongue A fire mist and a planet, A crystal and a cell, A jellyfish and a saurian, And caves where the cave men dwell; Then a sense of law and beauty, And a face turned from the clod — Some call it Evolution, And others call it God. A haze on the far horizon, The infinite, tender sky, The ripe, rich tint of the cornfields, And the wild geese sailing high; And all over upland and lowland The charm of the goldenrod — Some of us call it Autumn, And others call it God. Like tides on a crescent sea beach, When the moon is new and thin, Into our hearts high yearnings Come welling and surging in; Come from the mystic ocean, Whose rim no foot has trod — Some of us call it Longing, And others call it God. A picket frozen on duty, A mother starved for her brood, Socrates drinking the hemlock, And Jesus on the rood; And millions who, humble and nameless, The straight, hard pathway plod — Some call it Consecration, And others call it God. ↗
This boy," he said, indicating the paintings with one sweep of his arms, "was romantic. He thought that it was beauty that bound everything together. And for him it was true. Life had been beautiful for him. He was very young. He knew very little of life. He saw beauty but he did not feel any true passion. How could he? He did not know. He had not really encountered the force of beauty's opposite." "Are you more cynical now, then?" she asked him. "Cynical," he frowned, "No, not that. I know that there is an ugly side of life-and not just human life. I know that everything is not simply beautiful. I am not a romantic as this boy was. But I am not a cynic either. There is something enduring in all of life, Anne, something tough. Something. Something terribly weak yet incredibly powerful... ↗
All pulchritude is relative... We ought not believe that the banks of the ocean are really deformed, because they have not the form or a regular bulwark; nor that the mountains are out of shape, because they are not exact pyramids or cones; nor that the stars are unskillfully placed, because they are not all situated at uniform distance. These are not natural irregularities, but with respect to our fancies only; nor are they incommodious to the true uses of life and the designs of man’s being on earth. ↗
Oh, do you, Milo? You’re so selfish. You don’t see the bigger picture.” “What’s the bigger picture?” “You’re still here looking for handouts. Who’s going to take care of me?” “I’m on my knees here, Mom. Not for me, for my family. For my wife. For a beautiful grandson you have totally ignored.” “He’s kind of a brat. I’ll be in his life when he gets a little impulse control.” “He’s not even four.” “I have needs. I’m tired of this child-worshipping culture. You’re just a slave to it, Milo.” “I’m only trying to be a decent dad.” “Don’t waste your time. It’s not in your genes. Besides, try making some money. That might be a good dad move. For heaven’s sake, the system’s rigged for white men and you still can’t tap in.” “You’re right, Mom. What can I say? But still, it would mean a lot to me if you made a little more of an effort with Bernie.” “Bernie schmernie. This is my decade.” “Okay, you wrinkled old spidercunt, have it your way. ↗
The novel should tell the truth, as I see the truth, or as the novelist persuades me to see it. And one more demand: I expect the novelist to aspire to improve the world. ... As a novelist, I want to be more than one more dog barking at the other dogs barking at me. Not out of any foolish hope that one novelist, or all virtuous novelists in chorus, can make much of a difference for good, except in the long run, but out of the need to prevent the human world from relaxing into something worse. To maintain the tension between truth and falsity, beauty and ugliness, good and evil. ... I believe the highest duty of the serious novelist is, whatever the means or technique, to be a critic of his society, to hold society to its own ideals, or if these ideals are unworthy, to suggest better ideals. ↗
Nearly all our older poetry was written and read by men to whom the distinction between poetry and rhetoric, in its modern form, would have been meaningless. The 'beauties' which they chiefly regarded in every composition were those which we either dislike or simply do not notice. This change of taste makes an invisible wall between us and them. ↗
Tell me what you see,” Michael said. Lucy looked about the room. She didn’t see anything much at first but old dusty furniture and old heavy draperies here and there. There were two large windows, but vines grew all over them, so that they didn’t let in much light. There was nothing else but dust and shadows. Lucy was disappointed. Then she began to wonder. What made the shadows? They moved across the room and disappeared, and other took their places. And every one of them was the shadow of a person. They walked about soundlessly and appeared to gesture and talk to one another. “Michael!” Lucy whispered softly, touching his arm. He was smiled vaguely, as though thinking of something far away. “Michael, who makes the shadows?” Michael looked down at her and smiled. “They’re the shadows of the people who lived in this castle,” he said. “It’s part of the magic.” “Then – it is enchanted! I felt there was something odd about it.” Michael was silent again and Lucy followed the direction of his eyes. He was watching the shadow of a young girl as it moved about. She seemed very beautiful and graceful. She wore long robes, with sleeves that fell to the floor, and her hair was long, hanging to her knees. She was walking back and forth and every once in a while, Lucy thought she held out her arms in their direction. “What does she want?” she whispered. “Is she trying to tell us something?” “She’s tired of waiting,” Michael said, “for the enchantment to be over. She gets very impatient sometimes. That is Gloria, the first princess who ever lived here. This castle was made for her.” “Was she a – Fairy Princess?” “Well, not at first. Would you like to hear about her?” “Oh, yes!” said Lucy. ↗
And as she looked at the pool she saw the waters gather up into a column, rushing up foaming and standing there before her startled eyes, and turn into the form of a man. Not a man, a god. So perfectly formed, so handsome, with such wisdom and desire in his eyes and such quiet joy on his lips. He was breathtakingly beautiful and Anne felt herself grow weak with some unnamable longing. His eyes met hers and caught her soul tight, and she could not look away as he read every thought in her mind. “Come,” he said to her in a voice like liquid silver, “I know your mind, and it is one with mine.” Anne could not speak, but she did not need to. Her eyebrows raised in question. He laughed, “Why to love, of course. ↗
