After Nashville sushi and a long debate on Bob Dylan, we went into Woodland Studios at 10 pm that night for a look around, and jammed for 5 hours solid. ↗
Bob Arum and Don King can do their thing but if I fought for those guys and they put the money up like they are supposed to then I don't have a problem. ↗
We put our life on the line to fight for them, put on a show and these guys take our money so whatever happens to Bob Arum, Don King or anyone else is fine with me. ↗
Yeah, well, it did earlier - but as Bobby and I have played together, our thing as a unit has become so strong that they kind of had to get in where they fit in. And most people do. ↗
Bobby is really the one who did all the editing on that stuff. And he did all the mixing. I particularly like the record we did with Logic because Scott Harding did a great job mixing it. He's really a killing engineer. ↗
Everything we did, we did live - and then Bobby took it home and chopped it up and edited it. Which is pretty much what they did with every jazz record you've ever heard. ↗
Now, when we first started, I would be playing something good and then feel like I wasn't doing the right thing and launch into some idiotic cliche. Luckily for me, Bobby was patient. ↗
He's dangerous because when God talks to him Bob will do whatever God asks him to do at great cost, even if no one agrees, if it's contrary to the way the stream is going, if Bob feels God is in it he will do it. ↗
