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I grew up on the crime stuff. Spillane, Chandler, Jim Thompson, and noir movies like Fuller, Orson Welles, Fritz Lang. When I first showed up in New York to write comics back in the late 1970s, I came with a bunch of crime stories but everybody just wanted men in tights. ↗
I became startled by the extraordinary difference between something whose surface is completely invisible which only makes itself present by virtue of what it reflects, and a window, which doesn't make itself apparent at all, in the ideal case. ↗
