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Read through the most famous quotes by topic #change
God is a creative force, Lestat. And so are we. He told Adam, 'Increase and multiply.' That's what the first organic cells did, Lestat, increased and multiplied. Not merely changed shape but replicated themselves. God is a creative force. He made the whole universe out of Himself through cell division. That's why the devils are so full of envy-the bad angels, I mean. They are [i]not[/i] creative creatures; they have no bodies, no cells, they're spirit. And I suspect it wasn't envy so much as a form of suspicion-that God was making a mistake in making another engine of creativity in Adam, so like Himself. I mean the angels probably felt the physical universe was bad enough, with all the replicating cells, but thinking, talking beings who could increase and multiply? They were probably outraged by the whole experiment. That was their sin." "So you're saying God isn't pure spirit." "That's right. God has a body. Always did. The secret of cell-dividing life lies within God. And all living cells have a tiny part of God's spirit in them, Lestat, that's the missing piece as to what makes life happen in the first place, what separates it from nonlife. It's exactly like your vampiric genesis. You told us that the spirit of Amel-the evil entity-infused the bodies of all the vampires...Well, men share in the spirit of God in the same way. ↗
Smith:Why, Mr. Anderson? Why do you do it? Why get up? Why keep fighting? Do you believe you're fighting for something? For more than your survival? Can you tell me what it is? Do you even know? Is it freedom? Or truth? Perhaps peace? Yes? No? Could it be for love? Illusions, Mr. Anderson. Vagaries of perception. The temporary constructs of a feeble human intellect trying desperately to justify an existence that is without meaning or purpose. And all of them as artificial as the Matrix itself, although only a human mind could invent something as insipid as love. You must be able to see it, Mr. Anderson. You must know it by now. You can't win. It's pointless to keep fighting. Why, Mr. Anderson? Why? Why do you persist? Neo: Because I choose to. [Matrix Trilogy] ↗
We're not very different from one another, not different at all, in fact. We're all just people with the same needs, the same desires, the same feelings. It's a lie about us being different. It's something they cooked up so we'd be fighting one another instead of them, the ones who keep us down and make their fortunes off our labor, the same ones who send us off to war when they get to fighting among themselves over the spoils. You'll find that out someday. They'll be calling on you to go to war for them, you can be sure of that, because there's going to be lots more wars in the future. I got in one myself, as you know. I saw men getting killed and wounded and crippled, and I must have killed a lot of men myself, and I'm just sick every time I think of it. Why? Because we were fighting one another instead of those who'd sent us out there. Oh, they're clever, those capitalists. It's hard to beat them at their game. They've fooled us with words like patriotism and duty and honor, and they've got us divided up into classes and religions so that each one of us figures he's better than the other. But it'll all change, 'arry. Believe me, it will. People get smarter. The human brain has a potential for development. Someday it will grow big enough so that everybody will see and understand the truth, and then we won't act like a bunch of sheep, and then that wall that separates the two sides of our street will crumble. ↗
The West Indian is not exactly hostile to change, but he is not much inclined to believe in it. This comes from a piece of wisdom that his climate of eternal summer teaches him. It is that, under all the parade of human effort and noise, today is like yesterday, and tomorrow will be like today; that existence is a wheel of recurring patterns from which no one escapes; that all anybody does in this life is live for a while and then die for good, without finding out much; and that therefore the idea is to take things easy and enjoy the passing time under the sun. The white people charging hopefully around the islands these days in the noon glare, making deals, bulldozing airstrips, hammering up hotels, laying out marinas, opening new banks, night clubs, and gift shops, are to him merely a passing plague. They have come before and gone before. ↗
Xander Stryker." A thick, rich voice filled the hall. The speaker stopped at the altar, standing in a blue robe. His thick brown hair was slicked back and tied in a small ponytail in the back and his solid blue eyes--matching the shade of his robe--shifted from one to the other. Xander blinked several times, clearing the grogginess from his mind, and began to sit up, nodding his respects at the newcomer. "My name is Ronen," the newcomer said, bowing his head as he took a step towards him, "and it will be my pleasure to guide you through the change." he stopped for a moment, smiling warmly, before carefully lifting Xander’s left arm. Before continuing, he locked his gaze on Xander's, "You are sure that this is what you want?" Xander nodded. There was a sharp sting then as Ronen bit into his wrist and Xander flinched before a warm rush made the pain subside and the room began to spin. Thrown off kilter, Xander felt himself start to fall as the poison seeped into the veins of his arm and, after a long, lingering moment, crawled past his shoulder and into his chest--into his heart--where it suddenly exploded into a full-body inferno. He was burning to death! When he was certain that he was on fire there was a sudden cool rush; a wave of ice that ran through the length of his body and seeped into his core until he found his eyelids and pried them open. The image of Depok and Ronen came into focus and he was vaguely aware of Depok's left hand on his shoulder as the pure-blood pulled his fangs away from his wrist. Mind still reeling, Xander noticed, not without a bit of shock, that he was still lying on top of the altar. A moment later, his eyes rolled back in his skull and the lights from the candles melted into a solid glow that swallowed him and faded to black. As Death swooped down and enveloped him, he heard Depok's voice in the distance: "Welcome home, Xander. ↗
#change #crimson-shadow #fang #goth #horror
Is this the region, this the soil, the clime, Said then the lost Archangel, this the seat That we must change for heav'n, this mournful gloom For that celestial light? Be it so since he Who now is sovereign can dispose and bid What shall be right. Farthest from him is best Whom reason hath equaled force hath made supreme Above his equals. Farewell happy fields Where joy forever dwells. Hail horrors Hail Infernal world, and thou profoundest hell Receive thy new possessor, one who brings A mind not to be changed by place or time The mind is its own place and in itself Can make a heav'n of hell, a hell of heav'n. What matter where if I be still the same And what I should be--All but less than he Whom thunder hath made greater. Here at least We shall be free. Th' Almighty hath not built Here for his envy will not drive us hence. Here we may reign supreme, and in my choice To reign is worth ambition, though in hell. Better to reign in hell than serve in Heav'n. But wherefore let we then our faithful friends, Th'associates and co-partners of our loss Lie thus astonished on th' oblivious pool. And call them not to share with us their part In this unhappy mansion? Or, once more, With rallying arms, to try what may be yet Regained in heav'n or what more lost in hell! ↗
In your rare embrace, sometimes I am lost nowadays. In these years, you have changed. I have changed. Every single day, we’re fighting our feuds silently; inventing devious ways to hurt one another. Our gazes keep to our feet: wavering, pirouetting and crisscrossing, so as to not stumble, even inadvertently, upon each other. Our windows look out at other windows looking in at us. Mynahs no longer come by in our balconies. Branches, not of a mango tree, but of a conglomerate, surround them instead. The silhouettes of concrete buildings sometimes shine in the rain's aftermath, but remain concrete. Today, as the Ganga rises and rages all over the city, people run for their lives, but I let it wash over my soul and flood my tears.’ ('Left from Dhakeshwari') ↗
Most of these stories are on the tragic side. But the reader must not suppose that the incidents I have narrated were of common occurrence. The vast majority of these people, government servants, planters, and traders, who spent their working lives in Malaya were ordinary people ordinarily satisfied with their station in life. They did the jobs they were paid to do more or less competently,. They were as happy with their wives as are most married couples. They led humdrum lives and did very much the same things every day. Sometimes by way of a change they got a little shooting; but at a rule, after they had done their day's work, they played tennis if there were people to play with, went to the club at sundown if there was a club in the vicinity, drank in moderation, and played bridge. They had their little tiffs, their little jealousies, their little flirtations, their little celebrations. They were good, decent, normal people. I respect, and even admire, such people, but they are not the sort of people I can write stories about. I write stories about people who have some singularity of character which suggests to me that they may be capable of behaving in such a way as to give me an idea that I can make use of, or about people who by some accident or another, accident of temperament, accident of environment, have been involved in unusual contingencies. But, I repeat, they are the exception. ↗
For the anarch, little has changed; flags have meaning for him, but not sense. I have seen them in the air and on the ground like leaves in May and November; and I have done so as a contemporary and not just as a historian. The May Day celebration will survive, but with a different meaning. New portraits will head up the processions. A date devoted to the Great Mother is re-profaned. A pair of lovers in the wood pays more homage to it. I mean the forest as something undivided, where every tree is still a liberty tree. For the anarch, little is changed when he strips off a uniform that he wore partly as fool’s motley, partly as camouflage. It covers his spiritual freedom, which he will objectivate during such transitions. This distinguishes him from the anarchist, who, objectively unfree, starts raging until he is thrust into a more rigorous straitjacket. ↗
