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Read through the most famous quotes by topic #con
Love hurts. Think back over romance novels you’ve loved or the genre-defining books that drive our industry. The most unforgettable stories and characters spring from crushing opposition. What we remember about romance novels is the darkness that drives them. Three hundred pages of folks being happy together makes for a hefty sleeping pill, but three hundred pages of a couple finding a way to be happy in the face of impossible odds makes our hearts soar. In darkness, we are all alone. So don’t just make love, make anguish for your characters. As you structure a story, don’t satisfy your hero’s desires, thwart them. Make sure your solutions create new problems. Nurture your characters doubts and despair. Make them earn the happy ending they want, even better…make them deserve it. Delay and disappointment charge situations and validate character growth. Misery accompanies love. It’s no accident that many of the stories we think of as timeless romances in Western Literature are fiercely tragic: Romeo and Juliet, Tristan and Isolde, Cupid and Psyche… the pain in them drags us back again and again, hoping that this time we’ll find a way out of the dark. Only if you let your characters get lost will we get lost in them. And that, more than anything else, is what romance can and should do for its protagonists and its readers: lead us through the labyrinth, skirt the monstrous despair roaming its halls, and find our way into daylight. ↗
I can see the stars in your eyes from a mile away. They guide me to you just like the North Star.” Then he bent his head and kissed her – a long, sweet kiss under moonbeams that caressed them both lovingly. ↗
#contemporary #love #romance-novels #romances #contemporary-romance
Compound actions on shared state, such as incrementing a hit counter (read-modify-write) or lazy initialization (check-then-act), must be made atomic to avoid race conditions. Holding a lock for the entire duration of a compound action can make that compound action atomic. However, just wrapping the compound action with a synchronized block is not sufficient; if synchronization is used to coordinate access to a variable, it is needed everywhere that variable is accessed. Further, when using locks to coordinate access to a variable, the same lock must be used wherever that variable is accessed. ↗
Accessing shared, mutable data requires using synchronization; one way to avoid this requirement is to not share. If data is only accessed from a single thread, no synchronization is needed. This technique, thread confinement, is one of the simplest ways to achieve thread safety. When an object is confined to a thread, such usage is automatically thread-safe even if the confined object itself is not. ↗
Eres como una segunda voz dentro de mí, que me acompaña día a día. Has convertido mi monólogo interior en un diálogo. Enriqueces mi vida interior. Indagas, insistes, parodias, entras en conflicto conmigo. ↗
Ending a novel is almost like putting a child to sleep – it can't be done abruptly." [Colm Tóibín, Novelist – Portrait of the Artist, The Guardian, 19 February 2013] ↗
If we feel secure In the depths of our heart, We shall not challenge anybody, For inner confidence Is nothing short of Complete satisfaction. ↗
I am content; that is a blessing greater than riches; and he to whom that is given need ask no more. ↗
We've been down the road of your hasty exits too many times, Mrs. Danvers. You married your master, and you married a sadist--of your own free will. You might remember that when you're tempted to walk out in a huff, defy my orders, and behave like a selfish brat. You got that? ↗
It has always seemed to me that so long as you produce your dramatic effect, accuracy of detail matters little. I have never striven for it and I have made some bad mistakes in consequence. What matter if I hold my readers? ↗
#consistency #details #dramatic-effect #facts #sherlock-holmes
