#directors

I go where the material is, and I feel like I'm looking for really strong directors. That's the key ingredient. There are some directors I would move the sun and earth for, or stop the rotation of the planets, just to work with them. ↗

— Olivia Thirlby

#earth #feel #go #i #i feel

I don't know what it is, exactly, but there's a negative drag on film sets after the second week or so, a mutinous vibe because the infinite capacities of the directors and everybody else become quite finite and everybody's under the gun and it becomes work. ↗

— Diane Lane

#because #become #becomes #capacities #directors

Well, it gives me the opportunity to make the movies that I want to do, because L'Oreal pays me very well. Also it means that I can work with great directors. My last commercial was directed by Erick Zonca, who made 'Dream Life of Angels.' And finally, it doesn't take up a lot of my time. ↗

— Virginie LeDoyen

#angels #because #commercial #directed #directors

There are two kinds of directors: There's the kind where two plus two equals four, and you have to help them figure it out. And then there's the kind that throws you in a room, locks the door, sets the house on fire and films it. ↗

— Michael Pitt

#door #equals #figure #films #fire

Morris Weissman [on the phone, discussing casting for his movie]: "What about Claudette Colbert? She's British, isn't she? She sounds British. Is she, like, affected or is she British? ↗

— Julian Fellowes

#actors #affectations #british #claudette-colbert #clichés

It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance. ↗

— Mark Rydell

#break #cable #difficult #directors #easier