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Read through the most famous quotes by topic #doll
People need to believe in more than what they see in everyday life. Somewhere inside, we all know that there is more out there than we experience normally. A belief in the other world can help explain why things happen to us. It can give us hope. I feel that we all hope we never get to be too old to fly to Never-Never Land or go through a wardrobe into Narnia. We want to think that there is something looking back at us when we look at the stars. We want to think that just around the bend in the forest, we'll find fairies dancing in a ring. I hope that my work affirms those beliefs," she continues. "I want people to think of my work as a key to that other world. ↗
For the few months that I was living vicariously through wine I came to the conclusion that what my heart desired reflected it’s damage; that I’m too spoiled to be eaten, I can’t live with not knowing how strange tongues taste, And that sometimes we’re all a kind of mosaic of feeling. There was one night in particular: Outside, I lit my cigarette and cuddled with it. You stood up with your back against the hard light that gave you the halo of a pseudo angel and Whisked me up like I was broken. I wasn’t. Was I to feel that in your touch I was but a million little pieces? Is that what you wanted? Were your weird intentions golden? The wine did the talking when I couldn’t say how much I didn’t understand your inner workings Perchance you’d try to explain. This was the same night the clock broke after I finally coughed out my distain for Your laziness, your lack of responsibility, your growing pains (even though you weren’t growing) and I think you kissed me to shut me up (even though the wine said it was love). I froze for a while. In time’s absence I studied you instead of my books. Each advancement in knowing you an even bigger advancement in the theory that I had That you were the opposite of beautiful. We are the artists of our mosaics. We choose its pallet and if your heart screams red, then blues and yellows will become the peripheries. You were muted with the desire for playing with the Colours you couldn’t make. The wine made me realize that what was broken didn’t require your mending that wine was the only way you could be anything but cowardly. ↗
Nevertheless the severance is rather casual and it drops a stain on our admiration of Nora. Ibsen has put the leaving of her children on the same moral and emotional level as the leaving of her husband and we cannot, in our hearts, asssent to that. It is not only the leaving but the way the play does not have time for suffering, changes of heart. Ibsen has been too much a man in the end. He has taken the man's practice, if not his stated belief, that where self-realization is concerned children shall not be an impediment. ↗
#feminsim #ibsen #motherhood #writing #change
In the jumbled, fragmented memories I carry from my childhood there are probably nearly as many dreams as images from waking life. I thought of one which might have been my earliest remembered nightmare. I was probably about four years old - I don't think I'd started school yet - when I woke up screaming. The image I retained of the dream, the thing which had frightened me so, was an ugly, clown-like doll made of soft red and cream-coloured rubber. When you squeezed it, bulbous eyes popped out on stalks and the mouth opened in a gaping scream. As I recall it now, it was disturbingly ugly, not really an appropriate toy for a very young child, but it had been mine when I was younger, at least until I'd bitten its nose off, at which point it had been taken away from me. At the time when I had the dream I hadn't seen it for a year or more - I don't think I consciously remembered it until its sudden looming appearance in a dream had frightened me awake. When I told my mother about the dream, she was puzzled. 'But what's scary about that? You were never scared of that doll.' I shook my head, meaning that the doll I'd owned - and barely remembered - had never scared me. 'But it was very scary,' I said, meaning that the reappearance of it in my dream had been terrifying. My mother looked at me, baffled. 'But it's not scary,' she said gently. I'm sure she was trying to make me feel better, and thought this reasonable statement would help. She was absolutely amazed when it had the opposite result, and I burst into tears. Of course she had no idea why, and of course I couldn't explain. Now I think - and of course I could be wrong - that what upset me was that I'd just realized that my mother and I were separate people. We didn't share the same dreams or nightmares. I was alone in the universe, like everybody else. In some confused way, that was what the doll had been telling me. Once it had loved me enough to let me eat its nose; now it would make me wake up screaming. ("My Death") ↗
