I remember those days with Bergman with great nostalgia. We were aware that the films were going to be quite important, and the work felt meaningful. ↗
I don't know if I was so much of an outsider until after I started doing films. That put me on the outside. I grew up in Texas, and I wasn't the child of industry parents, and I didn't have a lot of friends in the industry or anything like that. ↗
I definitely feel sorry more people don't get to see my films. They aren't inaccessible, and if people got the chance to see them, I know they'd like them. ↗
United Artists wanted to do records with me. I had no idea, what a rare thing that was... to make an album. And they put a guy with me working on songs, and I got busy with films. I just kind of let it slide. Isn't that amazing? ↗
If you start with a good idea, you can encapsulate it in a phrase and explain it. I like high-concept films. Everyone can get hold of it. I don't think there's any harm in that at all. ↗
I loved to watch cartoons and even made little stop-motion films in the backyard. At the time, I never really thought that it was something you could do for a living; it never actually hit me that people do that sort of thing or I would be capable of it. ↗