No subscription or hidden extras
Read through the most famous quotes by topic #gel
A warrior knows death is always a hair's breadth away, but he doesn't dwell on the possibility of his death when he goes into battle. A warrior just fights. He fights to protect his family, his home, his people, himself, and often, the good of man. The wolf never gives a passing thought to the possibility of his death. For the wolf, he will fight to the end if need be, solely to defend his territory. Neither of these things are necessarily a reason to enter into battle when you are already weakened. They just are what they are. They live in a warrior's heart, in a wolf's heart. And both, for me, are in my heart. ↗
Very well, but - who are you?' again asked Gil Gil, in whom curiosity was beginning to get the better of every other feeling. 'I told you that when I first spoke to you - I am your friend. And bear in mind that you are the only being on the face of the earth to whom I accord the title of friend. I am bound to you by remorse! I am the cause of all your misfortunes.' 'I do not know you,' replied the shoemaker. 'And yet I have entered your house many times! Through me you were left motherless at your birth; I was the cause of the apoplectic stroke that killed Juan Gil; it was I who turned you out of the palace of Rionuevo; I assassinated your old house-mate, and, finally, it was I who placed in your pocket the vial of sulfuric acid.' Gil Gil trembled like a leaf; he felt his hair stand on end, and it seemed to him as if his contracted muscles must burst asunder. 'You are the devil!' he exclaimed, with indescribable terror. 'Child!' responded the black-robed figure in accents of amiable censure, 'what has put that idea into your head? I am something greater and better than the wretched being you have named.' 'Who are you, then?' 'Let us go into the inn and you shall learn.' Gil hastily entered, drew the Unknown before the modest lantern that lighted the apartment, and looked at him with intense curiosity. He was a person about thirty-three years old; tall, handsome, pale, dressed in a long black tunic and a black mantle, and his long locks were covered by a Phrygian cap, also black. He had not the slightest sign of a beard, yet he did not look like a woman. Neither did he look like a man... ("The Friend of Death") ↗
The church's theology bought into this ahistoricism in different ways: along a more liberal, post-Kantian trajectory, the historical particularities of Christian faith were reduced to atemporal moral teachings that were universal and unconditioned. Thus it turned out that what Jesus taught was something like Kant's categorical imperative - a universal ethics based on reason rather than a set of concrete practices related to a specific community. Liberal Christianity fostered ahistoricism by reducing Christianity to a universal, rational kernel of moral teaching. Along a more conservative, evangelical trajectory (and the Reformation is not wholly innocent here), it was recognized that Christians could not simply jettison the historical particularities of the Christian event: the birth, life, death and resurrection of Jesus Christ. However, there was still a quasi-Platonic, quasi-gnostic rejection of material history such that evangelicalism, while not devolving to a pure ahistoricism, become dominated by a modified ahistoricism we can call primitivism. Primitivism retains the most minimal commitment to God's action in history (in the life of Christ and usually in the first century of apostolic activity) and seeks to make only this first-century 'New Testament church' normative for contemporary practice. This is usually articulated by a rigid distinction between Scripture and tradition (the latter then usually castigated as 'the traditions of men' as opposed to the 'God-give' realities of Scripture). Such primitivism is thus anticreedal and anticatholic, rejecting any sense that what was unfolded by the church between the first and the twenty-first centuries is at all normative for current faith and practice (the question of the canon's formation being an interesting exception here). Ecumenical creeds and confessions - such as the Apostles' Creed or the Nicene Creed - that unite the church across time and around the globe are not 'live' in primitivist worship practices, which enforce a sense of autonomy or even isolation, while at the same time claiming a direct connection to first-century apostolic practices. ↗
#christianity #church-history #evangelicalism #god #liberal-christianity
When they had ended their prayers, the Angel of Death recovered his loquacity and his gayety and ascending the chariot again, preceded by Gil Gil, spoke as follows. 'The village you see on that mountain is Gethsemane. In it was the Garden of Olives. On the other side you can distinguish an eminence crowned by a temple which stands out against a starry sky - that is Golgotha. There I passed the greatest day of my existence. I thought I had vanquished God himself - and vanquished he was for some hours. But, alas! on that mount, too, it was that three days later I saw myself disarmed and my power brought to naught on the morning of a certain Sunday. Jesus had risen from the dead. There, too, took place on the same occasion my great single combat with Nature. There took place my duel with her, that terrible duel (at the third hour of the day, I remember it well), when, as soon as she saw me thrust the lance of Longinus in the breast of the Saviour she began to throw stones at me, to upturn the cemeteries, to bring the dead to life, and I know not what besides. I thought poor Nature had lost her senses.' The Angel of Death seemed to reflect for a moment... ("The Friend of Death") ↗
Illium, his expression subdued as it had been for too many days, turned to her. “Mind if I have a go?” “Kick his ass.” Stripping off his shirt and boots, Illium held out his hand for one of Venom’s blades. Lips curving, Venom passed it over. “Sure you can handle me, pretty, pretty Bluebell?” “Did I ever tell you about my snakeskin boots?” A savage grin, and she knew Venom was about to bear the brunt of whatever haunted the blue-winged angel. Venom swirled his blade in hand. “I do think I need some new feathers for my pillow. ↗
Bianca, camp is cool! It's got a pegasus stable and a sword-fighting arena and… I mean, what do you get by joining the Hunters?" To begin with," Zoe said, "immortality." I stared at her, then at Artemis. "She's kidding, right?" Zoe rarely kids about anything," Artemis said. "My Hunters follow me on my adventures. They are my maidservants, my companions, my sisters-in-arms. Once they swear loyalty to me, they are indeed immortal… unless they fall in battle, which is unlikely. Or break their oath." What oath?" I said. To foreswear romantic love forever," Artemis said. To never grow up, never get married. To be a maiden eternally." Like you?" The goddess nodded. I tried to imagine what she was saying. Being immortal. Hanging out with only middle-school girls forever. I couldn't get my mind around it. ↗
#bianca-di-angelo #percy-jackson #zoe-nightshade #imagination
Pay attention, and use your imagination. ↗
#on-writing #poetry #r-m-engelhardt #writing-life #imagination
In August of 1998, I completed Seize the Night, the sequel to my novel Fear Nothing, one of many of my books in which a dog is among the cast of principal characters. Every time I wrote a story that included a canine, my yearning for a dog grew. Readers and critics alike said I had an uncanny knack for writing convincingly about dogs and even for writing from a dog's point of view. When a story contained a canine character, I always felt especially inspired, as if some angel watching over me was trying to tell me that dogs were a fundamental part of my destiny if only I would listen. ↗
