Well, I think again, the worst part of it was just leading up to it, before we got on set, at least for me... dreading this idea that I was just going to suck and I really had strong feelings about that. I just didn't want to be that weak link. ↗
And there was a movement afoot to take another year off, and if we had been able to do that, and rethink everything, I think when we came back it would have been very different. ↗
But we were really locked in to that kind of format, and as the '90s wore on, it became for me more solidified, in that sense that there weren't as many of those magical shows that were just magic all the way through as there had been in earlier years. ↗
So, in the course of events, I had an opportunity to come in contact with Colin Matthews, through the Rex Foundation sponsoring recordings of various music that was being recorded over there. ↗
Unfortunately we don't have all the bits and pieces on the car that we had hoped to have by this stage so we've got to make as good a job as we can with what we have and we feel we are doing well with that at the moment. ↗
From where started, I think it is too far down to try and win a championship at the end of the season, although we had a very good first race at Mondello and scored some good points. ↗
We've had to set a workshop up; we've had to equip the workshop and everything else. But all that equipment is there now and whatever projects they want to use it for in the future. ↗
