I'm not saying that there weren't other inherent problems with the score that couldn't have been overcome with a bit of remixing, but why did they ask me to do it, and why did Griffin ask me to do it this way, for a film that had nothing to do with American vernacular? ↗
It's about not letting the internal enemy, the real enemy, have his way because the more he does the stronger he becomes. The film's about the devastating results that can manifest from the internal enemy being unbridled and allowed to unleash chaos. ↗
I want the people of New Jersey to jump off a cliff like Kurt Vonnegut so I can show them how to fly. This way, nobody needs to grow any wings, which would be impossible anyway because we're humans and not some kind of bird. ↗
I've lost all my money on these films. They are not commercial. But I'm glad to lose it this way. To have for a souvenir of my life pictures like Umberto D. and The Bicycle Thief. ↗
George was getting alot of independence for himself in those days. He was writing more, and wanted things to go his way - where, when we first started things basically went John and Paul's way. You know, 'cuz they were the writers. ↗
So if I get these actors for 30% of their price by coming in so late with an offer when they know they are not getting another offer then I do it this way. ↗