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Read through the most famous quotes by topic #intelligence
To be human is to be 'a' human, a specific person with a life history and idiosyncrasy and point of view; artificial intelligence suggest that the line between intelligent machines and people blurs most when a puree is made of that identity. ↗
Theirs was not a marriage that could last. Madeleine had never loved him. She was telling him that. 'It's painful to have to say I never loved you. I never will love you, either,' she said. 'So there's no point in going on.' Herzog said, 'I do love you, Madeleine.' Step by step, Madeleine rose in distinction, in brilliance, in insight. Her color grew very rich, and her brows, and that Byzantine nose of hers, rose, moved; her blue eyes gained by the flush that kept deepening, rising from her chest and her throat. She was in an esctasy of consciousness. It occurred to Herzog that she had beaten him so badly, her pride was so fully satisfied, that there was an overflow of strength into her intelligence. He realized that he was witnessing one of the very greatest moments of her life. ↗
There can be no question that parrots have more intellect than any other kind of bird, and it is this that makes them such favourite pets and brings upon them so many sorrows. ...Men will buy them ... and carry them off to all quarters of the native town, intending, I doubt not, to treat them kindly; but "the tender mercies of the wicked are cruel", and confinement in a solitary cell, the discipline with which we reform hardened criminals, is misery enough to a bird with an active mind, without the superadded horrors of ... life in a tin case, hung from a nail in the wall of a dark shop... Why does the Society for Prevention of Cruelty to Animals never look into the woes of parrots? ... However happy you make her captivity, imagination will carry her at times to the green field and blue sky, and she fancies herself somewhere near the sun, heading a long file of exultant companions in swift career through the whistling air. Then she opens her mouth and rings out a wild salute to all parrots in the far world below her. ↗
The power of music, narrative and drama is of the greatest practical and theoretical importance. One may see this even in the case of idiots, with IQs below 20 and the extremest motor incompetence and bewilderment. Their uncouth movements may disappear in a moment with music and dancing—suddenly, with music, they know how to move. We see how the retarded, unable to perform fairly simple tasks involving perhaps four or five movements or procedures in sequence, can do these perfectly if they work to music—the sequence of movements they cannot hold as schemes being perfectly holdable as music, i.e. embedded in music. The same may be seen, very dramatically, in patients with severe frontal lobe damage and apraxia—an inability to do things, to retain the simplest motor sequences and programmes, even to walk, despite perfectly preserved intelligence in all other ways. This procedural defect, or motor idiocy, as one might call it, which completely defeats any ordinary system of rehabilitative instruction, vanishes at once if music is the instructor. All this, no doubt, is the rationale, or one of the rationales, of work songs. ↗
Heroes are men who admit to being difficult to live with, who demand extremely high standards in every aspect of their lives, who are natural, effortless leaders, strong men, men with prestige and intelligence, whose faults are likely to be manifestations of strength and power. He is the master of his life; he is in control. Whether his sphere of influence is the boardroom or the mountains, the sea or the stage, the hero dominates it with his personality, his intelligence, and his quick, hard-honed grasp of every situation. A hero can seem arrogant and short-tempered, ruthless, tough, even cruel -- he can be quite unlovable at first. ↗
The history of the thing might amuse you," he said. "When first I became one of the New Anarchists I tried all kinds of respectable disguises. I dressed up as a bishop. I read up all about bishops in our anarchist pamphlets, in Superstition the Vampire and Priests of Prey. I certainly understood from them that bishops are strange and terrible old men keeping a cruel secret from mankind. I was misinformed. When on my first appearing in episcopal gaiters in a drawing-room I cried out in a voice of thunder, 'Down! down! presumptuous human reason!' they found out in some way that I was not a bishop at all. I was nabbed at once. Then I made up as a millionaire; but I defended Capital with so much intelligence that a fool could see that I was quite poor. Then I tried being a major. Now I am a humanitarian myself, but I have, I hope, enough intellectual breadth to understand the position of those who, like Nietzsche, admire violence--the proud, mad war of Nature and all that, you know. I threw myself into the major. I drew my sword and waved it constantly. I called out 'Blood!' abstractedly, like a man calling for wine. I often said, 'Let the weak perish; it is the Law.' Well, well, it seems majors don't do this. I was nabbed again. At last I went in despair to the President of the Central Anarchist Council, who is the greatest man in Europe. ↗
She stood straight and still, her arms at her side. Her eyebrows had the graceful arch of a raptor's wings in flight. Her green eyes came unafraid to his. The connection was so intense that it threatened to drain his sense of self. He felt that he had always known her, that she had always been a part of him, that her needs were his needs. She held him with her gaze as surely as a grip of iron would, searching his eyes as if searching his soul, seeking an answer to something. I am here to help you, he said in his mind. He meant it more than any thought he had ever had. The intensity of her gaze relaxed, loosening its hold on him. In her eyes he saw something that attracted him more than anything else. Intelligence. He saw it flaring there, burning in her, and through it all he felt an overriding sense of her integrity. Richard felt safe. ↗
If our shallow, self-critical culture sometimes seems to lack a sense of the numinous or spiritual it’s only in the same way a fish lacks a sense of the ocean. Because the numinous is everywhere, we need to be reminded of it. We live among wonders. Superhuman cyborgs, we plug into cell phones connecting us to one another and to a constantly updated planetary database, an exo-memory that allows us to fit our complete cultural archive into a jacket pocket. We have camera eyes that speed up, slow down, and even reverse the flow of time, allowing us to see what no one prior to the twentieth century had ever seen — the thermodynamic miracle of broken shards and a puddle gathering themselves up from the floor to assemble a half-full wineglass. We are the hands and eyes and ears, the sensitive probing feelers through which the emergent, intelligent universe comes to know its own form and purpose. We bring the thunderbolt of meaning and significance to unconscious matter, blank paper, the night sky. We are already divine magicians, already supergods. Why shouldn’t we use all our brilliance to leap in as many single bounds as it takes to a world beyond ours, threatened by overpopulation, mass species extinction, environmental degradation, hunger, and exploitation? Superman and his pals would figure a way out of any stupid cul-de-sac we could find ourselves in — and we made Superman, after all. ↗
