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There is, in fact, no need to drag politics into literary theory: as with South African sport, it has been there from the beginning. I mean by the political no more than the way we organize our social life together, and the power-relations which this involves; and what I have tried to show throughout this book is that the history of modern literary theory is part of the political and ideological history of our epoch. From Percy Bysshe Shelley to Norman N. Holland, literary theory has been indissociably bound up with political beliefs and ideological values. Indeed literary theory is less an object of intellectual enquiry in its own right than a particular perspective in which to view the history of our times. Nor should this be in the least cause for surprise. For any body of theory concerned with human meaning, value, language, feeling and experience will inevitably engage with broader, deeper beliefs about the nature of human individuals and societies, problems of power and sexuality, interpretations of past history, versions of the present and hopes for the future. It is not a matter of regretting that this is so — of blaming literary theory for being caught up with such questions, as opposed to some 'pure' literary theory which might be absolved from them. Such 'pure' literary theory is an academic myth: some of the theories we have examined in this book are nowhere more clearly ideological than in their attempts to ignore history and politics altogether. Literary theories are not to be upbraided for being political, but for being on the whole covertly or unconsciously so — for the blindness with which they offer as a supposedly 'technical', 'self-evident', 'scientific' or 'universal' truth doctrines which with a little reflection can be seen to relate to and reinforce the particular interests of particular groups of people at particular times. ↗
#literary-theory #political #politics #power-relations #social
The flesh,' as Saint Paul used the term, refers, ironically, not to our bodies but to fallen human nature. The 'carnal' spirit is the one that devours things for itself and refuses to make them an oblation to God. The carnal spirit is cruel, egocentric, avaricious, gluttonous, and lecherous, and as such us fevered, restless, and divided. The spiritual man, on the other hand, is alone the man who both knows what flesh is for and can enter into its amplitude. The lecher, for example, supposes that he knows more about love than the virgin or the continent man. He knows nothing. Only the virgin and the faithful spouse knows what love is about. The glutton supposes that he knows the pleasures of food, but the true knowledge of food is unavailable to his dribbling and surfeited jowls. The difference between the carnal man and the spiritual man is not physical. They may look alike and weigh the same. The different lies, rather, between one's being divided, snatching and grabbing at things, even nonphysical things like fame and power, or being whole and receiving all things as Adam was meant to receive them, in order to offer them as an oblation to their Giver. ↗
Mr. Cat and Mr. Dog were neighbors who fought like, well, cats and dogs. That is until Mr. Rat moved in. It's fascinating how easily two enemies ally at the introduction of a third. ↗
Don't observe yourself too closely. Don't be too quick to draw conclusions from what happens to you; simply let it happen. Otherwise it will be too easy for you to look with blame (that is: morally) at your past, which naturally has a share in everything that now meets you. ↗
Meditation is an excellent habit and tool for transformation, however your ‘practice’ should eventually evolve into your natural primary state of being. ↗
#enlightenment #god #higher-self #holy-spirit #inspirational
You approve?" I asked, spinning around. He slipped an arm around my waist. "Unfortunately, yes. I was hoping you'd show up in something a lot sluttier. Something that would scandalize my parents." "Sometimes it's like you don't even care about me as a person," I observed as we walked inside. "It's like you're just using me for shock value." "It's both, little dhampir. I care about you, and I'm using you for shock value. ↗
