No subscription or hidden extras
Read through the most famous quotes by topic #jungian
However, the natural symbol, without our being sufficiently conscious of the fact, is identical with the reality of the world that appears to us, for every object in the natural world is at the same time a symbolic reality to us. The psyche certainly does not use an "object" of nature as a "symbol," but rather the experience of an "object" itself is always already symbolic experience. The star or tree in us is no less real and no less symbolic than it is in outward experience. For each possibility of experience either presupposes a spiritually forming, that is to say a symbolic activity, or is identical with this. That is, everything spiritual appears to us first not just in nature but as nature; or we could formulate this just as well the other way around: everything natural, whether outward or inward, appears to us as an image, that is to say as formed spirit. We are surrounded by images, inwardly and outwardly, but at the same time formed and determined in all our experiences by the natural symbol as though by a unitary natural-spiritual reality, for our psychic system only grasps that which appears to us as the real world through the world of natural symbolism. ↗
When one has let go of that great hidden agenda that drives humanity and its varied histories, then one can begin to encounter the immensity of one's own soul. If we are courageous enough to say, "Not this person, nor any other, can ultimately give me what I want; only I can," then we are free to celebrate a relationship for what it can give. ↗
Need we go into details about what I said to Judy? I am no poet, and I suppose what I said was very much what everybody always says, and although I remember her as speaking golden words, I cannot recall precisely anything she said. If love is to be watched and listened to without embarrassment, it must be transmuted into art, and I don't know how to do that, and it is not what I have come to Zurich to learn. ↗
There is no religion and no philosophy that can give us a comprehensive answer to the whole of our problems, and the abandonment and isolation of the individual who is given no answer, or only inadequate answers, to his question lead to a situation in which more and more cheap, obvious solutions and answers are sought and provided. As, everywhere and in all departments of life, there are contradictory schools and parties, and an equal number of contradictory answers, one of the most frequent reactions is that modern man ceases to ask questions and takes refuge in a conception that considers only the most obvious, superficial aspects, and becomes skeptical, nihilistic, and egocentric. Or, alternatively, he tries to solve all his problems by plunging headlong into a collective situation and a collective conviction, and seeks to redeem himself in this way. ↗
...in microphysics the observer interferes with the experiment in a way that can't be measured and that therefore can't be eliminated. No natural laws can be formulated, saying "such-and-such will happen in every case." All the microphysicist can say is "such-and-such is, according to statistical probability, likely to happen." This naturally represents a tremendous problem for our classical physical thinking. It requires a consideration, in a scientific experiment, of the mental outlook of the participant-observer: It could this be said that scientists can no longer hope to describe any aspects or qualities of outer objects in a completely independent, "objective" manner. ↗
#jungian #limitations #man-and-his-symbols #micro-physics #objective
men should not be sexing their women in the missionary position because they are facing away from the sky. Instead of looking down, men are to look up. To the vastness of Father Sky ↗
While the Eternal Feminine in Faust II still appears in personalized form as the Madonna, she works her effects in The Magic Flute as an invisible spiritual power, as music. But this music is the expression of divine love itself, which unites law and freedom, above and below, in the wisdom of the heart and of love. As harmony, it grants humankind divine peace and rules the world as the highest divinity. From the earliest times, magic and music have stood under the rule of the Archetypal Feminine, which in myth and fairy tale is also the mistress of transformation, intoxication, and enchanting sound. Thus it is quite understandable that it is precisely this feminine principle that bestows the magical instruments. The Orpheus motif of the magical taming of the animal energies through music belongs to her, for as mistress of the animals the Great Goddess rules the world of wild as well as tame creatures. She can transform things and people into animal form, tame the animal, and enchant it because, like music, she is able to make the tame wild and the wild tame with the power of her magic. ↗
I must quote from Dr. Faustus, with which the tragedy ends: "Often he talked of eternal grace, the poor man, and I don't know if it will be enough. But an understanding heart, believe me, is enough for everything." Let us understand these words correctly. They are not proud or arrogant; on the contrary they are desperately modest. We really do not know any longer whether grace is enough, precisely because we are as we are and are beginning to see ourselves as we are. But at a time of overwhelming crisis, the questionable nature of grace, or rather our knowledge that we are unworthy of grace, compels us to understand and love mankind, the fallible mankind that we ourselves are. Behind this abysmal crisis, the archetype of the Eternal Feminine as earth and as Sophia would seem to be discernible; it is no accident that these words are spoken by Frau Schweigestill, the mother. That is to say, it is precisely in chaos, in hell, that the New makes its appearance. Did not Kwanyin descend into hell rather than spend her time with the serene music makers in heaven? ↗
#love
Assimilation of the feminine side is indeed a decisive problem in a man's individuation, but it remains his "private affair" since our patriarchal culture not only does not demand individuation but tends actually to reject it in the male. Assimilation of the archetypally masculine animus side of woman's nature, however, is a different matter. In modern times patriarchal culture, which no longer oppresses her and hinders her cultural participation, motivates woman to develop the opposite side of her psyche from childhood onwards. This means that women are forced into a certain degree of Self-estrangement for the sake of conscious development. Initially more is demanded of them than of men. From woman both femininity and masculinity are required, while from him only masculinity. We are speaking here of one of the complications but also one of the opportunities inherent in woman's situation for our culture that has led to there being such a high percentage of women involved in the development of modern psychology, actively through their collaboration and passively through their conflicts. ↗
The Earth and the Underworld seen as a descent but also as a process of transformation not only corresponds to the experience of many individuals in the process of individuation, but it can also be demonstrated to be a collective event in modern culture as a whole. The analysis of this state of affairs falls outside the scope of our present consideration and has already been partially accomplished elsewhere. The task that remains for us is to investigate whether and how a change is arrived at in the meaning of the Earth archetype in the individual's experience of depth, and what the implications of this are. Submission to and acceptance of the darkness, the shadow, the negative aspects of the anima and animus, the affective and instinctual side of human nature, and assimilation of the unconscious in the sense of an integration of the personality: these, as you know, are some of the most significant phrases that characterize the decisive beginning of the psychic development of modern man. But even these days the alchemical sentence still stands as a motto over this process of transformation: "visitetis interiara terrae," "visit the inner parts of the earth." We are all still "descenders" if we venture into the unconscious, which for that very reason is also topographically designated "under"-conscious; we set out from the head, from the outer layer of consciousness, and descend into the "deeper" layers of our psyche and of our symbolic body, and in so doing the symbol of depth, still valid today, is derived from the archetype of Earth, gorge and "depths of the abyss." As in religious history, the archetypal inhabitant of these female depths is the snake. Just as in Crete and in Greece and with Nathan of Gaza, so even today we are still met there by the snake of the abyss, the Devil, who is at the same time the snake of Mercurius, the spiritual principle that animates the depths, the "Earth Spirit." Seeing this masculine snake-companion of the Great Mother in a phallic sense as a symbol of sexuality corresponds to one of the infinite possibilities and realities of interpretation. On the highest level we are often obliged to interpret it in this way, but never only as such. Even Hermes, the guide of the soul, who is the same god as the alchemists' Mercurius, has a phallic, snake aspect. But whoever mistakes the snake for the penis and the gorge for the female genitals-and without question it is an issue of the earth's womb-offends against the lower as well as against the higher gods by restricting their field of effectiveness and transformation. ↗
