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Female knowledge of objectification usually stops at a necessary but superficial understanding: beauty is rewarded and lack of beauty is punished. The punishments are understood as personal misfortune; they are not seem as systematic, institutional, or historical. Women do not understand that they are also punished through sexual use for being beautiful; and women do not understand the lengths to which men go to protect themselves and their society from contamination by ugly women who do not induce a lustful desire to punish, violate, or destroy, though men manage to punish, violate, or destroy these women anyway. ↗
On the information sheet in a New York hotel, I recently read: "Dear guest! To guarantee that you will fully enjoy your stay with us, this hotel is totally smoke-free. For any infringement of this regulation, you will be charged $200:' The beauty of this formulation, taken literally, is that you are to be punished for refusing to fully enjoy your stay . . . The superego imperative to enjoy thus functions as the reversal of Kant's "Du kannst, denn du soUstf" (You can, because you must ! ) ; it relies on a "You must, because you can ! " That is to say, the superego aspect of today's "nonrepressive" hedonism (the constant provocation we are exposed to, enjoining us to go right to the end and explore all modes of jouissance) resides in the way permitted jouissance necessarily turns into obligatory jouissance. ↗
And don't stress about the trip. We'll find some alone time in London," he continued, bending his head closer to mine. "Nothing keeps 007 from romancing a beautiful woman. ↗
If we are in a general way permitted to regard human activity in the realm of the beautiful as a liberation of the soul, as a release from constraint and restriction, in short to consider that art does actually alleviate the most overpowering and tragic catastrophes by means of the creations it offers to our contemplation and enjoyment, it is the art of music which conducts us to the final summit of that ascent to freedom. ↗
#music #philosophy #art
The first two things Gaudencio Rivera was made aware of--within hours of arriving by carabao-drawn cart at the secluded town of Tagbaoran on the island province of Palawan--were these: that the most beautiful woman in creation dwelt by the river, and that it was pointless to even dream of being loved by her. ↗
The best stories I have heard were pointless, the best books those whose plot I can never remember, the best individuals those whom I never get anywhere with. Though it has been practised on me time and again I never cease to marvel how it happens that with certain individuals whom I know, within a few minutes after greeting them we are embarked on an endless voyage comparable in feeling and trajectory only to the deep middle dream which the practised dreamer slips into like a bone slips into its sockets ↗
