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Read through the most famous quotes by topic #lorrain
If he wasn't angry, he certainly did a good imitation. His voice was clipped and as hard as stone. She wrung her hands together. "I love you. Clay." "No, you don't." Meg felt as though he'd just slapped her. "Yes, I do. When you leave this town, I'll go with you." Narrowing his eyes, he studied her. "Will you marry me?" "Yes." "Will you give me children?" "If I can. Kirk and I were never able to conceive, but if I can have children, I want to have yours." "In this town that we move to, wherever it is, will you walk down the street with me?" "Of course." "Holding my hand?" "Yes." "And the hands of my children?" "Yes." He unfolded his arms and took a step toward her. She wanted to fling herself into his embrace, but something hard in his eyes stopped her. "And what happens, Mrs. Warner, when someone you know rides through town and points at me and calls me a yellow-bellied coward? What will you do then? Will you let go of my hand and take my children to the other side of the street? Will you pretend that you haven't kissed me, that you haven't lain with me beneath the stars?" With disgust marring his features, he turned away. "You think I'm a coward. Go home." "I don't think that. I love you." He spun around. "You don't believe in that love, you don't believe in me." "Yes, I do." He stalked toward her. She backed into the corner and bent her head to meet his infuriated gaze. "How strongly do you believe in our love?" he asked, his voice ominously low. "If they threatened to strip off your clothes unless you denied our love, would you deny our love?" He gave her no chance to respond, but continued on, his voice growing deeper and more ragged, as though he were dredging up events from the past. "If they wouldn't let you sleep until you denied our love, would you deny our love so you could lay your head on a pillow? "If they stabbed a bayonet into your backside every time your eyes drifted closed, would you deny our love so your flesh wouldn't be pierced? "If they applied a hot brand to your flesh until you screamed in agony, would you deny our love so they'd take away the iron? "If they placed you before a firing squad, would you say you didn't love me so they wouldn't shoot you?" He stepped back and plowed his hands through his hair. "You think I'm a coward. You don't think I have the courage to stand beside you and risk the anger of your father. I'd die before I turned away from anyone or anything I believed in. You won't even walk by my side." He looked the way she imagined soldiers who had lost a battle probably looked: weary, tired of the fight, disillusioned. "You don't believe in me," he said quietly. "How can you believe in our love? ↗
He pulled her mirror out of his other pocket. “You left your mirror on my table.” He extended it toward her. “You can keep it,” she said quietly. “We have lots of mirrors here.” “I’ll keep it, then.” “Good. I’m glad.” He’d never rushed headlong into a battle, but he figured this time, it might be the best approach. “I spent a lot of time studying it. The back is real pretty with all the gold carving. Took me about an hour to gather up the courage to turn it over and look at the other side.” “And what did you see?” “ Aman who loves you more than life itself.” Closing her eyes, she dropped her chin to her chest. “I wouldn’t blame you if you hated me. I haven’t held your feelings as precious as I should have.” “I don’t hate you,” she whispered hoarsely. “I tried to, but I can’t.” -Houston and Amelia ↗
Hidden away behind the closed doors of aristocratic and bourgeois privilege, concealed under those ultra-respectable masks of black frock coat and veil, the green glow of corruption flickers into sight, steadies, and spreads everywhere, fostered by Lorrain's horrified and complicitous gaze. This decadent detective is at one with the criminal he pursues, acknowledging openly that the representation of corruption is one of the most pleasurable forms that corruption can take. In this enterprise, art is the mask that both exposes and conceals culpability. ↗
Here, in Lorrain's poisoned little jewel of a tale (“The Man Who Made Wax Heads”) the consummate achievement of decadent art is caught in miniature. The genius of the artist entangles perpetrators and victims in a sticky web of perverse delights, in which exploitation becomes collusion, the ripples of guilt spread outward, and the real criminal slips away. In the end, responsibility is lodged firmly with the consumer, forced – he must confess – by his own perverse desires, to buy into the values of this particularly black market. ↗
You think the only battles fought are done so with rifles, and the only wounds that kill draw blood. You think courage is loud, boisterous, and proud. Mrs. Warner, I don't think you have a clue as to what this memorial truly represents." -Clay to Meg ↗
He cradled her face between his hands, angled his mouth over hers, and welcomed the bliss she offered. Boldly, she gave her tongue the freedom to roam within his mouth. She sighed. He moaned. He thought a man could become spoiled touching a woman. He might never want to touch stone again. Stone wasn't warm. It didn't alter its shape with the gentlest of pressures. Stone didn't breathe so he could feel its moisture on his face. Rocks didn't make soft sounds that he'd carry with him until the day he died. ↗
Cordelia!" She staggered to a stop and slowly turned as her father's voice reverberated around the room. "You just accused your brothers of trying to commit murder." "No, Father. From this day forward, Cameron is the only brother I have. If you allow these two to remain in your home after what I have just told you, then I also have no father." "You're as high-spirited and stubborn as your mother. I warned Leigh that he needed to keep a tight rein on you, but he wouldn't listen." "Dallas isn't one to follow in other men's footsteps. Giving him permission to marry me was the finest gift you could have ever given me. ↗
