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The position I took at the time was that we hadn't really examined any of the potential environmental consequences of introducing genetically modified organisms. ↗
Well I guess my music came to prominence around one piece called 'In C' which I wrote in 1964 at that time it was called 'The Global Villages for Symphonic Pieces', because it was a piece built out of 53 simple patterns and the structure was new to music at that time. ↗
