Just trying to get a film made which is always difficult no matter what kind of a budget you have. Not having a budget makes it even more difficult. Having nineteen days and no budget makes it extremely difficult. ↗
Well that's the point: People don't normally take away things from films anymore. You go and see a $100 million film, half an hour later, your biggest concern is what are you going to be eating. ↗
But I also think that the more you reason collectively about what the project should be at the beginning of the process, the more you can improvise later. ↗
The necessity to conceptualise has to come very early on, and defining a vector of development for that film also at the beginning of the process will allow you much more freedom as you go along. ↗
The other aspect is that you become much more aware of the structural problems that pertain to that continent. You feel the need to act to try and solve them. ↗
The Northern idea of form is more of a process. The various units of the form overlap. You can't tell where some things stop and new things start. This is typical of Sibelius. ↗
