#nell

Audiences often ask if characters are based on real people. Indeed the impulse of the amateur is to write about who one knows. The professional on the other hand understands the impossibility of such a task. The creator of the character must know more about the character than anyone could ever possibly know about a real person. The author must possess the complete knowledge; what the person was wearing on Christmas morning when he or she was five, what presents he or she received, and who gave them and how they were given. A "character" therefore is a real person who exists in another plane, a parallel universe based on the author's perceptions of reality. When it comes to people don't write about who you know but what you know of human nature. ↗

— Candace Bushnell

#sex-and-the-city #nature

They couldn't close out the whole world, maybe, but they could sure find something on their TV or radio to put scientists or foreigners or whatever they thought he was in a bad light. Truly, they were no better than the city people always looking down on southerners ... If people played their channels right, they could be spared from disagreement for the length of their natural lives. Finally she got it. The need for so many channels. ↗

— Barbara Kingsolver

#nature

My thoughts are free to roam back to the way she leaned her head on my arm for a split second, as if wishing she could let herself go, let herself lean farther. But she didn't, and I can’t help but respect her for that, even I know her strength is false, propped up by the shaky girders of Old Man Jack. One day soon, those girders will collapse, and her world will crumble, and I know I have to be there when that happens. ↗

— Jasinda Wilder

#colton #crumble #falling #falling-into-you #free

Meet me where the sky touches the sea. Wait for me where the world begins. ↗

— Jennifer Donnelly

#the-tea-rose #the-winter-rose #tea

Best two rock voices I've heard in a last few years both have been from grunge bands: it's Eddie Vedder and the other one is Chris Cornell from Soundgarden. ↗

— Bruce Dickinson

#been #best #both #chris #cornell

Inevitably, his vision verged toward the fantastic; he published a scattering of stories - most included in this volume - which appeared to conform to that genre at least to the degree that the fuller part of his vision could be seen as "mysteries." For Woolrich it all was fantastic; the clock in the tower, hand in the glove, out of control vehicle, errant gunshot which destroyed; whether destructive coincidence was masked in the "naturalistic" or the "incredible" was all pretty much the same to him. RENDEZVOUS IN BLACK, THE BRIDE WORE BLACK, NIGHTMARE are all great swollen dreams, turgid constructions of the night, obsession and grotesque outcome; to turn from these to the "fantastic" was not to turn at all. The work, as is usually the case with a major writer was perfectly formed, perfectly consistent, the vision leached into every area and pulled the book together. "Jane Brown's Body" is a suspense story. THE BRIDE WORE BLACK is science fiction. PHANTOM LADY is a gothic. RENDEZVOUS IN BLACK was a bildungsroman. It does not matter. ↗

— Barry N. Malzberg

#cornell-woolrich #fantastic #gothic #horror #noir