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Read through the most famous quotes by topic #rim
All eyes flew to the entrance. A great gray stallion reared up in the doorway, its breath frosting the air with puffs of steam. It was a scene from every fairy-tale romance she'd ever read: the handsome prince bursting into the castle astride a magnificent stallion, ablaze with desire and honor as he'd declared his undying love before all and sundry. Her heart swelled with joy. Then her brow puckered as she scrutinized her "prince." Well, it was almost like a fairy tale. Except this prince was dressed in nothing but a drenched and muddy tartan with blood on his face and hands and war braids plaited at his temples. Although determination glittered in his gaze, a declaration of undying love didn't appear to be his first priority. "Jillian!" he roared. Her knees buckled. His voice brought her violently to life. Everything in the room receded and there was only Grimm, blue eyes blazing, his massive frame filling the doorway. He was majestic, towering, and ruthless. Here was her fierce warrior ready to battle the world to gain her love. He urged Occam into the crowd, making his way toward the altar. "Grimm," she whispered. ↗
#jillian #kare-marie-moning #to-tame-a-highland-warrior #life
I think prime numbers are like life. They are very logical but you could never work out the rules, even if you spent all your time thinking about them ↗
I feel like im in this river just getting swept along... And if I hold on to anyone, if I'm holding on for dear life, I'm not getting anywhere. I'm stuck. ...I never wanted to get stuck ↗
This doll-guy situation is an extreme of what I deal with in everyday life, where men believe that what they want I want, and they project that on to me and then blame me, curse me, when I don’t respond the way they’ve fantasized, like it’s some personal attack on them, like they’re entitled to something. Doll guy and dog guy and rape guy, the dangerous ones, they just go a step further and take it anyway. Then they blame you and the way you look for what they did. What’s worse is that a lot of the time, society blames you, too. ↗
[In 16th century European society] Marriage was the triumphal arch through which women, almost without exception, had to pass in order to reach the public eye. And after marriage followed, in theory, the total self-abnegation of the woman. ↗
Listen to me you piece of shit, if you ever give the press information about me, my parents or even breathe a word about me to anyone ever again, I swear to god I will make it my mission to make your life a living hell. And, believe me I’ll do it with a smile on my face the whole time. You’re a worthless excuse for a Detective and everyone here knows it. You’ve screwed your way to the top and backstabbed Gena to get into your Captain’s good books. Well look around you honey, you’re a real star. No one stopped Gena or me taking you on. I’ve currently got you in a hold, where I could snap your neck if I wanted to, and not one person is stepping forward to help you. Yeah, you’ve really made it.” - Stephanie Carovella to Sandra Barton ↗
Normally we divide the external world into that which we consider to be good or valuable, bad or worthless, or neither. Most of the time these discriminations are incorrect or have little meaning. For example, our habitual way of categorizing people as friends, enemies, and strangers depending on how they make us feel is both incorrect and a great obstacle to developing impartial love for all living beings. Rather than holding so tightly to our discriminations of the external world, it would be much more beneficial if we learned to discriminate between valuable and worthless states of mind. ↗
#discrimination #enemies #friends #good #mind
In Woolrich's crime fiction there is a gradual development from pulp to noir. The earlier a story, the more likely it stresses pulp elements: one-dimensional macho protagonists, preposterous methods of murder, hordes of cardboard gangsters, dialogue full of whiny insults, blistering fast action. But even in some of his earliest crime stories one finds aspects of noir, and over time the stream works itself pure. In mature Woolrich the world is an incomprehensible place where beams happen to fall, and are predestined to fall, and are toppled over by malevolent powers; a world ruled by chance, fate and God the malign thug. But the everyday life he portrays is just as terrifying and treacherous. The dominant economic reality is the Depression, which for Woolrich usually means a frightened little guy in a rundown apartment with a hungry wife and children, no money, no job, and desperation eating him like a cancer. The dominant political reality is a police force made up of a few decent cops and a horde of sociopaths licensed to torture and kill, whose outrages are casually accepted by all concerned, not least by the victims. The prevailing emotional states are loneliness and fear. Events take place in darkness, menace breathes out of every corner of the night, the bleak cityscape comes alive on the page and in our hearts. ("Introduction") ↗
