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Where visual artists are concerned, the Baroque sculptor and architect Bernini and the painter and sculptor Picasso were clearly adept at both experiential and instrumental attending, says Tellegen, as is the modern architect Frank Gehry. Choosing a literary example, he says that F. Scott Fitzgerald once admitted to "wrapping one of his romantic flings in cellophane" for later artistic use and notes that "this kind of heartless but honest professionalism is not uncommon among creative people. ↗
Few artists thrive in solitude and nothing is more stimulating than the conflict of minds with similar interests. ↗
I never had problems with my fellow scientists. Scientists are a friendly, atheistic, hard-working, beer-drinking lot whose minds are preoccupied with sex, chess and baseball when they are not preoccupied with science. ↗
The void is 'not-being,' and no part of 'what is' is a 'not-being,'; for what 'is' in the strict sense of the term is an absolute plenum. This plenum, however, is not 'one': on the contrary, it is a 'many' infinite in number and invisible owing to the minuteness of their bulk. ↗
But I quite like the way you can talk about science without necessarily using mathematics, but using metaphors instead. ↗
