#tori

And it turns out that tribes, not money, not factories, that can change our world, that can change politics, that can align large numbers of people. Not because you force them to do something against their will. But because they wanted to connect. ↗

— Seth Godin

#align #because #change #connect #factories

From Ernest Hemingway's stories, I learned to listen within my stories for what went unsaid by my characters. ↗

— Nadine Gordimer

#ernest #hemingway #i #learned #listen

Traditionally, people have been adapting novels and short stories forever. Now, they're doing it simultaneously, with an eye towards writing the movie before the novel has even come out or been finished. It's a function of this hyper-accelerated society we live in, where everyone is trying to short circuit the process. ↗

— Howard Gordon

#been #before #circuit #come #doing

Storytelling in general is a communal act. Throughout human history, people would gather around, whether by the fire or at a tavern, and tell stories. One person would chime in, then another, maybe someone would repeat a story they heard already but with a different spin. It's a collective process. ↗

— Joseph Gordon-Levitt

#already #another #around #collective #communal

That is very different from how it used to be in the 20th century. Media was very one way. There's a small little industry. It broadcasted its message and everyone else in the world just had to listen. Now the internet is allowing what used to be a monologue to become a dialogue. I think that's healthy and actually restoring a more natural way. ↗

— Joseph Gordon-Levitt

#actually #allowing #become #century #dialogue

Proving yourself in a field where the casualty rate is so notoriously high is an ongoing challenge. ↗

— Richard E. Grant

#challenge #field #high #notoriously #ongoing

We have the crime of the century every six months. So for people like me who enjoy, you know, taking these stories and writing about them, the material is endless. ↗

— John Grisham

#century #crime #endless #enjoy #every

There is, of course, always the personal satisfaction of writing down one's experiences so they may be saved, caught and pinned under glass, hoarded against the winter of forgetfulness. Time has been cheated a little, at least in one's own life, and a personal, trivial immortality of an old self assured. And there is another personal satisfaction: that of the people who like to recount their adventures, the diary-keepers, the story-tellers, the letter-writers, a strange race of people who feel half cheated of an experience unless it is retold. It does not really exist until it is put into words. As though a little doubting or dull, they could not see it until it is repeated. For, paradoxically enough, the more unreal an experience becomes - translated from real action into unreal words, dead symbols for life itself - the more vivid it grows. Not only does it seem more vivid, but its essential core becomes clearer. One says excitedly to an audience, 'Do you see - I can't tell you how strange it was - we all of us felt...' although actually, at the time of incident, one was not conscious of such a feeling, and only became so in the retelling. It is as inexplicable as looking all afternoon at a gray stone of a beach, and not realizing, until one tries to put it on canvas, that is in reality bright blue. ↗

— Anne Morrow Lindbergh

#feeling #journals #meaning #stories #time

I work on words, mostly, toward them being poetry or short stories, and then some of those become songs. They all find their place in the world, but they all start off in the same place. I'm always painting and drawing as well, and it's an ongoing creative assignment. ↗

— P. J. Harvey

#assignment #become #being #creative #drawing

Fiction came quite a while later. I began with short stories and fiction for children. ↗

— Helen Dunmore

#came #children #fiction #i #later