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Read through the most famous quotes by topic #wallace
Infinite Jest not only says that being human is hard work; it makes us work hard. It not only suggests we put ourselves in service to something larger than ourselves; it is one of those larger somethings. That's its rhetorical genius, and is how Wallace gets his self-help “to fly at such a high altitude”: Like AA, it is theory and praxis in a single stroke. Or: It is what it says, which may be the purest form of art. ↗
I know I grew up in the time when a young man in a baggy suit and slicked-down hair stood spraddle-legged in the crossroads of history and talked hot and mean about the colored, giving my poor and desperate people a reason to feel superior to somebody, to anybody. I know that even as the words of George Wallace rang through my Alabama, the black family who lived down the dirt road from our house sent fresh-picked corn and other food to the poor white lady and her three sons, because they knew their daddy had run off, because hungry does not have a color. ↗
We who were not so pathologically far out on the spectrum of self-involvement, we dwellers of the visible spectrum who could imagine how it felt to go beyond violet but were not ourselves beyond it, could see that David was wrong not to believe in his lovability and could imagine the pain of not believing in it. How easy and natural love is if you are well! And how gruesomely difficult--what a philosophically daunting contraption of self-interest and self-delusion love appears to be--if you are not! And yet ... the difference between well and not well is in more respects a difference of degree than of kind. Even though David laughed at my much milder addictions and liked to tell me that I couldn't even conceive of how moderate I was, I can still extrapolate from these addictions, and from the secretiveness and solipsism and radical isolation and raw animal craving that accompany them, to the extremity of his. I can imagine the sick mental pathways by which suicide comes to seem like the one consciousness-quenching substance that nobody can take away from you. ↗
#david-foster-wallace #love #mental-illness #suicide #imagination
The young woman almost lost control of the emotions that flooded her. "...I'm terrified of the king!" "Why," Esther asked trying to encourage the girl to talk about it. "Why shouldn't I be?" Artystone looked almost defiant. "He is the king, He can order me killed if he wishes! I will never be allowed to return home. I must remain her the rest of my life! Unless I am chosen queen -which is unlikely- I will never be a mother or grandmother. How can you bear it, Esther?" "Well...my God is sovereign, which means all that is happening is in His control. Even though I do not have the answers, He does. I can rest and have peace knowing that. ↗
Little Joe was still behind him. Eli could feel it. He wanted to look back, but he couldn’t. The tears were too close. If he were Fancy, he’d turn around and kick and buck and moo and do just about anything to keep his calf near. But Eli wasn’t Fancy; he was a farmer. ↗
#animals #author-sandra-neil-wallace #coming-of-age #cows #farm-life
When we as writers take our fears, beliefs, imaginations, and research and offer them up for the Lord to use, we are changed, and our fiction carries the power of truth and the fingerprints of our God on every page. ↗
In a way, what Tarantino has done with the French New Wave and with David Lynch is what Pat Boone did with rhythm and blues: He's found (ingeniously) a way to take what is ragged and distinctive and menacing about their work and homogenize it, churn it until it's smooth and cool and hygienic enough for mass consumption. Reservoir Dogs, for example, with its comically banal lunch chatter, creepily otiose code names, and intrusive soundtrack of campy pop from decades past, is a Lynch movie made commercial, i.e., fast, linear, and with what was idiosyncratically surreal now made fashionably (i.e., "hiply") surreal [...] D. Lynch is an exponentially better filmmaker than Q. Tarantino. For, unlike Tarantino, D. Lynch knows that an act of violence in an American film has, through repetition and desensitization, lost the ability to refer to anything but itself. A better way to put what I just tried to say: Quentin Tarantino is interested in watching somebody's ear getting cut off; David Lynch is interested in the ear. ↗
#david-foster-wallace #david-lynch #film #muzak #quentin-tarantino
There's good self-consciousness, and then there's toxic, paralyzing, raped-by-psychic-Bedouins self-consciousness. ↗
This idea was also brought out very clearly by Wallace, who emphasized that apparently reasonable activities of man might very well have developed without an actual application of reasoning. ↗
