It's hard for people to see you one way, but you're really the other way, so it's kind of like, 'Who am I, who are you?' Sometimes, I confuse even myself. ↗
So the point is, I don't have a right to tell anybody what's right or wrong about their lives. Who am I to tell you at any given moment of the day what would be right for you? ↗
Right after 'Raymond' I had a world-is-my-oyster attitude, but I found out I don't like oysters. I had this existential emptiness. 'What is my purpose? Who am I?' I had a big identity crisis. ↗
Oh, who am I trying to kid? It's a madhouse. The minute those cameras go off, things just explode, everyone is just at each other in one way or another, in closets or cat fights here and there. It's nuts. You know, I can't be a part of it. ↗
In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response. ↗
In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response. ↗
If the Loki in 'Thor' was about a spiritual confusion - 'Who am I? How do I belong in this world?' - the Loki in 'Avengers' is, 'I know exactly who I am, and I'm going to make this world belong to me.' ↗
I work more now because at this time of my life I am not disturbed from my aim by outside pressures such as family, passionate relationships, dealing with 'who am I?' - those complications when one is searching for one's self. ↗
