#writer

As I said earlier, there are no writers who could create a literary vision of the new reality. ↗

— Andrzej Wajda

#create #earlier #i #literary #new

It has been generally the custom of writers on natural history to take the habits and instincts of animals as the fixed point, and to consider their structure and organization as specially adapted to be in accordance with them. ↗

— Alfred Russel Wallace

#adapted #been #consider #custom #fixed

I can speak for most songwriters - those breakup love songs are so easy to write, as far as the inspiration and all that. ↗

— Lucinda Williams

#breakup #easy #far #i #i can

As a male writer, women are always what men pursue, and their world is always a mystery. So I always tried to present as many views as possible on women's worlds. ↗

— Gao Xingjian

#i #i always #male #many #men

I think it is probably more important to attend specialized conventions for a journeyman writer than any other, but it's useful at all stages of a career, if for nothing else, to find out how the industry is working at any given time. ↗

— Chelsea Quinn Yarbro

#attend #career #conventions #else #find

Providing a writer isn't put off by conventions - and some are - attending them can be a nice break from the necessary isolation of writing. ↗

— Chelsea Quinn Yarbro

#break #conventions #isolation #necessary #nice

Some of the poetic writers who insert passages of realism in their texts have no underlying philosophy to uphold them, and revert to realism. ↗

— Marguerite Young

#passages #philosophy #poetic #realism #revert

If Laura was so prolific with poems, and in truth she was, then what was the problem with Megan’s request? Couldn’t Laura, with a little doing, keep stringing together line after line of words and construct, in time, a novel? It seemed logical, but there was the matter of finding an idea and sustaining it. Only fire could do that. The fire of rebellion. Mario Vargas Llosa had not used the term “fire” exactly, but rather had discussed the presence of “seditious roots” that could “dynamite the world” the writer inhabited. He claimed that writing stories was an exercise in freedom and quarreling—out-and-out rebellion, whether or not the writer was conscious of it. And this rebellion, Vargas Llosa reminded his readers, was why the Spanish Inquisition had strictly censored works of fiction, prohibiting them for three hundred years in the American colonies. ↗

— L.L. Barkat

#mario-vargas-llosa #novel-writing #writer #writing #writing-a-novel

A man once asked me ... how I managed in my books to write such natural conversation between men when they were by themselves. Was I, by any chance, a member of a large, mixed family with a lot of male friends? I replied that, on the contrary, I was an only child and had practically never seen or spoken to any men of my own age till I was about twenty-five. "Well," said the man, "I shouldn't have expected a woman (meaning me) to have been able to make it so convincing." I replied that I had coped with this difficult problem by making my men talk, as far as possible, like ordinary human beings. This aspect of the matter seemed to surprise the other speaker; he said no more, but took it away to chew it over. One of these days it may quite likely occur to him that women, as well as men, when left to themselves, talk very much like human beings also. ↗

— Dorothy L. Sayers

#conversation #double-standards #feminism #fiction #gender

I do not think one can assess a writer's motives without knowing something of his early development. His subject matter will be determined by the age he lives in... but before he ever begins to write he will have acquired an emotional attitude from which he will never completely escape. It is his job, no doubt, to discipline his temperament and avoid getting stuck at some immature stage, in some perverse mood; but if he escapes from his early influences altogether, he will have killed his impulse to write. ↗

— George Orwell

#age