It was far more fun than work doing those shows for all those years, we all loved each other and loved going to work, we all understood how fortunate we were to be in that place, to have achieved that success worldwide. ↗
I never had the exposure to techniques and so forth that children have today with art workshops, but I always had crayons and pencils and still have work going right back to when I was five or six years old. ↗
I began the process of recording myself seriously in the fall of 1999. If I could finish an album of my own music, I would. Five years later I am happy to say I have. ↗
I was the youngest. The yule lamb. The one who always got away without doing the washing up. My sister was four years older, and my brother six years. ↗
I got very famous for a minute and then it just all went away, you know? And for the last 20 years - you've got to pick yourself up and dust yourself off and then go on your merry way and start again, in a sense, and that's what I've been doing. ↗
I had a very strange career. I mean I went from playing to 150,000 people in 1983/84. Three or four years later I was playing to four people, you know, in Melbourne. I thought - bit strange, you know bit odd, bit erratic. ↗
If you look at the data, the inner city that was the riot zone lost 55,000 jobs in the ten years from 1992 to 2002, instead of gaining a surplus of 50,000. ↗