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Read through the most famous quotes by topic #age
From the shadows, the young heir to the throne came forward, his expression far older than his seven years. Wrath, son of Wrath, was, like Tohrment, the spitting image of his sire, but there the comparison between the two pairs ended. The regent king was sacred, not just to his parents, but to the race. This small male was the future, the leader to come...evidence that in spite of the affronts committed by the Lessening Society, the vampires would survive. And he was fearless. Whereas many a wee one had shrunk back behind a parent when facing a single Brother, the young Wrath stood his own, staring up at the males before him as if he knew, regardless of his tender age, that he would command the strong backs and fighting arms of those before him. ↗
#j-r-ward #lover-mine #wrath #age
Imagination is not, as some poets have thought, simply synonymous with good. It may be either good or evil. As long as art remained primarily mimetic, the evil which imagination could do was limited by nature. Again, as long as it was treated as an amusement, the evil which it could do was limited in scope. But in an age when the connection between imagination and figuration is beginning to be dimly realized, when the fact of the directionally creator relation is beginning to break through into consciousness, both the good and the evil latent in the working of imagination begin to appear unlimited. We have seen in the Romantic movement an instance of the way in which the making of images may react upon the collective representations. It is a fairly rudimentary instance, but even so it has already gone beyond the dreams and responses of a leisured few. The economic and social structure of Switzerland is noticeably affected by its tourist industry, and that is due only in part to increased facilities of travel. It is due not less to the condition that (whatever may be said about their ‘particles’) the mountains which twentieth-century man sees are not the mountains which eighteenth-century man saw. It may be objected that this is a very small matter, and that it will be a long time before the imagination of man substantially alters those appearances of nature with which his figuration supplies him. But then I am taking the long view. Even so, we need not be too confident. Even if the pace of change remained the same, one who is really sensitive to (for example) the difference between the medieval collective representations and our own will be aware that, without traveling any greater distance than we have come since the fourteenth century, we could very well move forward into a chaotically empty or fantastically hideous world. But the pace of change has not remained the same. It has accelerated and is accelerating. We should remember this, when appraising the aberrations of the formally representational arts. Of course, in so far as these are due to affectation, they are of no importance. But in so far as they are genuine, they are genuine because the artist has in some way or other experienced the world he represents. And in so far as they are appreciated, they are appreciated by those who are themselves willing to make a move towards seeing the world in that way, and, ultimately therefore, seeing that kind of world. We should remember this, when we see pictures of a dog with six legs emerging from a vegetable marrow or a woman with a motorbicycle substituted for her left breast. ↗
Lots of people are born into lives that feel like a journey in the very middle of a big ship on familiar seas; they sit comfortably, crossing their legs, they know when the sun will rise and when the moon will wane, they have plans that they follow, they have a map! But then there are those of us, a few, who are born into lives that feel like standing at the very top of the ship's stern; we have to stand up, hold on tight for dear life, we never know when the waves will rock and we never know where the sun will set or when the moon will wane! Nothing follows the laws of common nature and we live in a wild, wild awakening and the only map we have is the map of the stars! We're called to see the lighting tear at the horizon, we're chosen to roar with the tempests, but we're also the first ones to see the suns rise, the first ones to watch the moons form anew! There is nothing ordinary, nothing at all. But neither are we! And we wouldn't want it any other way! ↗
#inspirational-life #living-extraordinary #the-differents #the-extraordinary #the-extraordinary-ones
I didn’t want to see it. I didn’t think he’d ever really notice me, and in the end, he didn’t. ↗
#teenagers #young-adult #young-adult-romance #young-adult-romance
Before she closed the door, she hit me with this one: "I feel like it's November first," she said, "and I'm that discarded jack-o'-lantern whose heart and guts are splattered all over the boulevard of broken promises." "And a good night to you, too," I said. ↗
No. Absolutely not. I forbid it. You'll have nightmares." "She was my friend! You must allow me. Why are you so horrid?" As soon as the angry words were out of my mouth, I knew I had gone too far. "Matilda!" Mother rose from her chair. "You are forbidden to pseak to me in that tone! Apologize at once. ↗
Certainly the most destructive vice if you like, that a person can have. More than pride, which is supposedly the number one of the cardinal sins - is self pity. Self pity is the worst possible emotion anyone can have. And the most destructive. It is, to slightly paraphrase what Wilde said about hatred, and I think actually hatred's a subset of self pity and not the other way around - ' It destroys everything around it, except itself '. Self pity will destroy relationships, it'll destroy anything that's good, it will fulfill all the prophecies it makes and leave only itself. And it's so simple to imagine that one is hard done by, and that things are unfair, and that one is underappreciated, and that if only one had had a chance at this, only one had had a chance at that, things would have gone better, you would be happier if only this, that one is unlucky. All those things. And some of them may well even be true. But, to pity oneself as a result of them is to do oneself an enormous disservice. I think it's one of things we find unattractive about the american culture, a culture which I find mostly, extremely attractive, and I like americans and I love being in america. But, just occasionally there will be some example of the absolutely ravening self pity that they are capable of, and you see it in their talk shows. It's an appalling spectacle, and it's so self destructive. I almost once wanted to publish a self help book saying 'How To Be Happy by Stephen Fry : Guaranteed success'. And people buy this huge book and it's all blank pages, and the first page would just say - ' Stop Feeling Sorry For Yourself - And you will be happy '. Use the rest of the book to write down your interesting thoughts and drawings, and that's what the book would be, and it would be true. And it sounds like 'Oh that's so simple', because it's not simple to stop feeling sorry for yourself, it's bloody hard. Because we do feel sorry for ourselves, it's what Genesis is all about. ↗
#depression #depression-humor #happiness #marriage-advice #morality
If you think of something, do it. Plenty of people often think, “I’d like to do this, or that. ↗
#depression #idleness #self-sabotage #terror #writer-s-block
All the world's a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse's arms. Then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honor, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. ↗
