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I thought that I must always search for the remarkable combinations, add unknowns, mix things that were clearly marked with things beyond marking. I would leave the simulated test and enter into forbidden territory. I would look for that moment when I would begin to pour alone and in wonder. I would always try to seize that moment and to accept its challenge. I wanted to become the seeker, the aroused and passionate explorer, and it was better to go at it knowing nothing at all, always choosing the unmarked bottle, always choosing your own unproven method, armed with nothing faith and a belief in astonishment. And if by accident, I could make a volcano in a single test tube, then what could I do with all the strange magnificent elements of the world with its infinity of unknowns, with the swarm of man, with civilization, with language? ↗
They are funny little representatives of simplicity, of awareness. No one is more aware of themselves as these children are. They have nothing, have no one but us, have seemingly no reason to be hopeful...yet they are. They choose to be happy even though the obviously easier choice would be to be frightened or sad and they have real reason to be those things as well. But they have life and faith and hope and love and they choose those things. Their innocence is addicting, their hope is catching and I'm happy to be surrounded by them. ↗
I've got my own moral compass to steer by A guiding star beats a spirit in the sky And all the preaching voices - Empty vessels ring so loud As they move among the crowd Fools and thieves are well disguised In the temple and market place Like a stone in the river Against the floods of spring I will quietly resist Like the willows in the wind Or the cliffs along the ocean I will quietly resist I don't have faith in faith I don't believe in belief You can call me faithless I still cling to hope And I believe in love And that's faith enough for me I've got my own spirit level for balance To tell if my choice is leaning up or down And all the shouting voices Try to throw me off my course Some by sermon, some by force Fools and thieves are dangerous In the temple and market place Like a forest bows to winter Beneath the deep white silence I will quietly resist Like a flower in the desert That only blooms at night I will quietly resist ↗
One notorious apikoros named Hiwa al-Balkhi, writing in ninth-century Persia, offered two hundred awkward questions to the faithful. He drew upon himself the usual thunderous curses—'may his name be forgotten, may his bones be worn to nothing'—along with detailed refutations and denunciations by Abraham ibn Ezra and others. These exciting anathemas, of course, ensured that his worrying 'questions' would remain current for as long as the Orthodox commentaries would be read. In this way, rather as when Maimonides says that the Messiah will come but that 'he may tarry,' Jewishness contrives irony at its own expense. If there is one characteristic of Jews that I admire, it is that irony is seldom if ever wasted on them. ↗
God remains silent so that men and women may speak, protest, and struggle. God remains silent so that people may really become people. When God is silent and men and women cry, God cries in solidarity with them but doesn't intervene. God waits for the shouts of protest. ↗
Be soft in your practice. Think of the method as a fine silvery stream, not a raging waterfall. Follow the stream, have faith in its course. It will go its own way, meandering here, trickling there. It will find the grooves, the cracks, the crevices. Just follow it. Never let it out of your sight. It will take you. ↗
Even though people about us choose the path of hate and violence and warfare and greed and prejudice, we who are Christ's body must throw off these poisons and let love permeate and cleanse every tissue and cell. Nor are we to allow ourselves to become easily discouraged when love is not always obviously successful or pleasant. Love never quits, even when an enemy has hit you on the right cheek and you have turned the other, and he's also hit that. ↗
