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Read through the most famous quotes by topic #austen
I don't need to see the trail to know you're at the end of it. My grandfather's compass may not work, but mine is still true. ↗
Eudora Welty singles out for praise Austen's "habit of seeing both sides of her own subject - of seeing it indeed in the round". ... Both men and women can be vain about their appearances, selfish about money, overawed by rank, and limited by parochialism; both men and women can function capably, think profoundly, feel deeply, create imaginatively, laugh wittily, and love faithfully. Without vindicating the rights of anyone directly, Austen posits a humanism far ahead of her time. "How really modern she is, after all," Welty concludes of Austen. ↗
I am determined that only the deepest love will induce me into matrimony. So... I shall end an old maid, and teach your ten children to embroider cushions and play their instruments very ill. ↗
... [In 'Pride and Prejudice'] Mr Collins's repulsiveness in his letter [about Lydia's elopement] does not exist only at the level of the sentence: it permeates all aspects of his rhetoric. Austen's point is that the well-formed sentence belongs to a self-enclosed mind, incapable of sympathetic connections with others and eager to inflict as much pain as is compatible with a thin veneer of politeness. Whereas Blair judged the Addisonian sentence as a completely autonomous unit, Austen judges the sentence as the product of a pre-existing moral agent. What counts is the sentence's ability to reveal that agent, not to enshrine a free-standing morsel of truth. Mr Darcy's letter to Elizabeth, in contrast, features a quite different practice of the sentence, including an odd form of punctation ... The dashes in Mr Darcy's letter transform the typographical sentence by physically making each sentence continuous with the next one. ... The dashes insist that each sentence is not self-sufficient but belongs to a larger macrostructure. Most of Mr Darcy's justification consists not of organised arguments like those of Mr Collins but of narrative. ... The letter's totality exists not in the typographical sentence but in the described event. ↗
After a moment, he added more seriously: 'I don't get as angry as m'father used to about things. Or maybe I', just better at hiding m'feelings.' 'I fear I'm not very good at hiding my feelings.' He covered my hand with his own. 'That's what I like about you. I liked it from the first. You're so different from the others. ↗
I saw that he was looking anxious. 'I thought you weren't coming.' As he spoke, he grasped my hand. And if the sight of him had not quite restored the magic, the touch of him most certainly did. 'You're not wishing yourself some place else, Mary? ↗
Ah yes.' Peter's tone was scornful. 'And they must always be paid before the poor tradesmen's bills, mustn't they?' 'They must indeed. They are debts of honour.' 'Oh, Mary.' He leant over and kissed me quickly. 'What a lot we'll have to argue about after we're married. ↗
#jennifer-paynter #love #mary-bennet #peter-bushell #pride-and-prejudice
