No subscription or hidden extras
Read through the most famous quotes by topic #austen
She was suddenly roused by the sound of the door-bell, and her spirits were a little fluttered by the idea of its being Colonel Fitzwilliam himself, who had once before called late in the evening, and might now come to inquire particularly after her. But this idea was soon banished, and her spirits were very differently affected, when, to her utter amazement, she saw Mr. Darcy walk into the room. In an hurried manner he immediately began an inquiry after her health, imputing his visit to a wish of hearing that she were better. She answered him with cold civility. He sat down for a few moments, and then getting up, walked about the room. Elizabeth was surprised, but said not a word. After a silence of several minutes, he came towards her in an agitated manner, and thus began: "In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you. ↗
#jane-austen #love #love
The loss of virtue in a female is irretrievable - that one false step involves in her endless ruin - that her reputation is no less brittle than it is beautiful - and that she cannot be too much guarded in her behavior towards the undeserving of the opposite sex. ↗
Everytime I read 'Pride and Prejudice' I want to dig her up and beat her over the skull with her own shin-bone. ↗
... [In 'Pride and Prejudice'] Mr Collins's repulsiveness in his letter [about Lydia's elopement] does not exist only at the level of the sentence: it permeates all aspects of his rhetoric. Austen's point is that the well-formed sentence belongs to a self-enclosed mind, incapable of sympathetic connections with others and eager to inflict as much pain as is compatible with a thin veneer of politeness. Whereas Blair judged the Addisonian sentence as a completely autonomous unit, Austen judges the sentence as the product of a pre-existing moral agent. What counts is the sentence's ability to reveal that agent, not to enshrine a free-standing morsel of truth. Mr Darcy's letter to Elizabeth, in contrast, features a quite different practice of the sentence, including an odd form of punctation ... The dashes in Mr Darcy's letter transform the typographical sentence by physically making each sentence continuous with the next one. ... The dashes insist that each sentence is not self-sufficient but belongs to a larger macrostructure. Most of Mr Darcy's justification consists not of organised arguments like those of Mr Collins but of narrative. ... The letter's totality exists not in the typographical sentence but in the described event. ↗
Peter was now standing very close - as if he wanted to comfort me - as if he knew how hurt I felt that Mrs Knowles had not asked me to play or to sing. And I did feel comforted. It was as if a tide of warmth was carrying me out of myself, inclining me to trust him and to conduct myself well. ↗
#jennifer-paynter #love #loyalty #mary-bennet #peter-bushell
At that moment a solitary violin struck up. But the music was not dance music; it was more like a song - a solemn, sweet song. (I know now that it was Beethoven's Romance in F.) I listened, and suddenly it was as if the fog that surrounded me had been penetrated, as if I were being spoken to. ↗
If you mean Miss Austen, I don't find her particularly romantic," Tasmin declared. "Can't say that I care much about the marriage arrangements among the middle classes." Tasmin Berrybender ↗
