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A square space with complicated ceremonies going on in it, the purpose of which is to transform animals into men. Two snakes, moving in opposite directions, have to be got rid of at once. Some animals are there, e.g. foxes and dogs. The people walk around the square and must let themselves be bitten by these animals in each of the four corners . If they run away all is lost. Now the higher animals come on to the scene-bulls and ibexes. Four snakes glide into the four corners. Then the congregation flies out. Two sacrificial priests carry in a huge reptile and with this they touch the forehead of a shapeless animal lump or life-mass. Out of it there instantly rises a human head, transfigured. A voice proclaims: "These are attempts at being. ↗
That's the illusion of stillness. There is no secret. Only the implication of one by its possesor". ↗
And we hate this possibility in movies; we hate this "both" shit. "Both" comes off as sloppy characterization, muddy filmmaking, lack of focus. ... But I submit that the real reason we criticized and disliked Lynch's Laura's muddy bothness is that it required of us an empathetic confrontation with the exact same muddy bothness in ourselves and our intimates that makes the real world of moral selves so tense and uncomfortable, a bothness we go to the movies to get a couple hours' fucking relief from. ↗
Our first point of discussion is the hunt. (...) My idea is to start the film with an image of the vixen locked out of her lair which has been plugged up. Her terror as she's pursued across the country. This is a big deal. It means training a fox from birth or dressing up a dog to look like a fox. Or hiring David Attenbrorough, who probably knows a few foxes well enough to ask a favour. ↗
The spot was empty. Empty but not void. Void is when there is absolutely nothing there and the nothing is natural, a complete vacuum. But empty-with empty, you are aware of what's supposed to be there. Empty means something is missing. ↗
Tell this to ladies: how a hero man Assail a thick and scandalous giant Who casts true shadow in the sun, And die, but play no truant. This is more horrible: that the darling egg Of the chosen people hatch a creature Of noblest mind and powerful leg Who cannot fathom nor perform his nature. ↗
The reason we are so controlled is not that we don't have the power to decide our own destiny, it is that we give that power away every minute of our lives. When something happens that we don't like, we look for someone else to blame. When there is a problem in the world, we say "What are they going to do about it". At which point they, who have secretly created the problem in the first place, respond to this demand by introducing a 'solution' - more centralisation of power and erosion of freedom. If you want to give more powers to the police, security agencies and military, and you want the public to demand you do it, then ensure there is more crime, violence and terrorism, and then it's a cinch to achieve your aims. Once the people are in fear of being burgled, mugged or bombed, they will demand that you take their freedom away to protect them from what they have been manipulated to fear. The Oklahoma bombing is a classic of this kind, as I detail in ..And The Truth Shall Set You Free. I call this technique problem-reaction-solution. Create the problem, encourage the reaction "something must be done", and then offer the solution. It is summed up by the Freemason motto 'Ordo Ab Chao' -order out of chaos. Create the chaos and then offer the way to restore order. Your order. The masses are herded and directed by many and varios forms of emotional and mental control. It is the only way it coud be done. ↗
