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Read through the most famous quotes by topic #beauty
Above his head at street level, he saw an angled aileron of a scarlet Porsche, its jaunty fin more or less at the upper edge of his window frame. A pair of very soft, clean glistening black shoes appeared, followed by impeccably creased matt charcoal pinstriped light woollen legs, followed by the beautifully cut lower hem of a jacket, its black vent revealing a scarlet silk lining, its open front revealing a flat muscular stomach under a finely-striped red and white shirt. Val’s legs followed, in powder-blue stockings and saxe-blue shoes, under the limp hem of a crêpey mustard-coloured dress, printed with blue moony flowers. The four feet advanced and retreated, retreated and advanced, the male feet insisting towards the basement stairs, the female feet resisting, parrying. Roland opened the door and went into the area, fired mostly by what always got him, pure curiosity as to what the top half looked like. ↗
There is a pain you can’t think your way out of. You can’t talk it away. If there was someone to talk to. You can walk. One foot the other foot. Breathe in breathe out. Drink from the stream. Piss. Eat the venison strips. And. You can’t metabolize the loss. It is in the cells of your face, your chest, behind the eyes, in the twists of the gut. Muscles, sinew, bone. It is all of you. When you walk you propel it forward. When you let the sled and sit on a fallen log and. You imagine him curling in the one patch of sun maybe lying over your feet. Then it sits with you, the Pain puts its arm over your shoulders. It is your closest friend. Steadfast. And at night you can’t bear to hear your own breath unaccompanied by another and underneath the big stillness like a score is the roaring of the cataract of everything being and being torn away. Then. The Pain is lying beside your side, close. Does not bother you with sound even of breathing. ↗
I watched for her hair to curl, the telltale Caster breeze. It didn't move. This wasn't Caster magic she was working. It was another kind altogether. She couldn't charm her way out from under Macon's watch. She would have to resort to older magic, stronger magic, the kind that had worked best on Macon from the time she first moved to Ravenwood. Plain old love. ↗
Who are you in love with?" I said then. For a minute Marco didn't say anything, he simply opened his mouth and breathed out a blue, vaporous ring. "Perfect!" he laughed. The ring widened and blurred, ghost-pale on the dark air. Then he said, "I am in love with my cousin." I felt no surprise. "Why don't you marry her?" "Impossible." "Why?" Marco shrugged. "She's my first cousin. She's going to be a nun." "Is she beautiful?" "There's no one to touch her." "Does she know you love her?" "Of course." I paused. The obstacle seemed unreal to me. "If you love her," I said, "you'll love somebody else someday. ↗
[[diving into the wreck]] First having read the book of myths, and loaded the camera, and checked the edge of the knife-blade [...] And now: it is easy to forget what I came for among so many who have always lived here... [...] the thing I came for: the wreck and not the story of the wreck the thing itself and not the myth the drowned face always staring toward the sun the evidence of damage worn by salt and away into this threadbare beauty the ribs of the disaster curving their assertion among the tentative haunters. [...] We are, I am, you are by cowardice or courage the one who find our way back to this scene carrying a knife, a camera a book of myths in which our names do not appear. ↗
