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Read through the most famous quotes by topic #border
The Hussein regime's support for terrorism, within and outside of its borders, its appetite for the world's most dangerous weapons, and its openly declared hostility to the United States were a combination that was a gathering and growing danger to our country. ↗
Tempting as it may be to draw one conclusion or another from my story and universalize it to apply to another's experience, it is not my intention for my book to be seen as some sort of cookie-cutter approach and explanation of mental illness, It is not ab advocacy of any particular form of therapy over another. Nor is it meant to take sides in the legitimate and necessary debate within the mental health profession if which treatments are most effective for this or any other mental illness. What it is, I hope, is a way for readers to get a true feel for what it's like to be in the grips of mental illness and what it's like to strive for recovery. ↗
I think the most interesting parts of human experience might be the sparks that come from that sort of chipping flint of cultures rubbing against each other. And living on the border between Mexico and the U.S. for so many years gave me a lot of insight into that. ↗
Like many of the kids I write about, I once was a runaway myself—and a few (but not all) of the other writers in the series also come from troubled backgrounds. That early experience influences my fiction, no doubt, but I don't think it's necessary to come from such a background in order to write a good Bordertown tale. To me, "running away to Bordertown" is as much a metaphorical act as an actual one. These tales aren't just for kids who have literally run away from home, but also for every kid, every person, who "runs away" from a difficult or constrictive past to build a different kind of life in some new place. Some of us "run away" to college . . . or we "run away" to a distant city or state . . . or we "run away" from a safe, secure career path to follow our passions or artistic muse. We "run away" from places we don't belong, or from families we have never fit into. We "run away" to find ourselves, or to find others like ourselves, or to find a place where we finally truly belong. And that kind of "running away from home"—the everyday, metaphorical kind—can be just as hard, lonely, and disorienting as crossing the Nevernever to Bordertown . . . particularly when you're in your teens, or early twenties, and your resources (both inner and outer) are still limited. I want to tell stories for young people who are making that journey, or contemplating making that journey. Stories in which friendship, community, and art is the "magic" that lights the way. (speaking about the Borderland series she "founded") ↗
Once upon a time there were two countries, at war with each other. In order to make peace after many years of conflict, they decided to build a bridge across the ocean. But because they never learned each other’s language properly, they could never agree on the details, so the two halves of the bridge they started to build never met. To this day the bridge extends far into the ocean from both sides, and simply ends half way, miles in the wrong direction from the meeting point. And the two countries are still at war. ↗
I lived in New York City back in the 1980s, which is when the Bordertown series was created. New York was a different place then -- dirtier, edgier, more dangerous, but also in some ways more exciting. The downtown music scene was exploding -- punk and folk music were everywhere -- and it wasn't as expensive to live there then, so a lot of young artists, musicians, writers, etc. etc. were all living and doing crazy things in scruffy neighborhoods like the East Village. I was a Fantasy Editor for a publishing company back then -- but in those days, "fantasy" to most people meant "imaginary world" books, like Tolkien's Lord of the Rings. A number of the younger writers in the field, however, wanted to create a branch of fantasy that was rooted in contemporary, urban North America, rather than medieval or pastoral Europe. I'd already been working with some of these folks (Charles de Lint, Emma Bull, etc.), who were writing novels that would become the foundations for the current Urban Fantasy field. At the time, these kinds of stories were considered so strange and different, it was actually hard to get them into print. When I was asked by a publishing company to create a shared-world anthology for Young Adult readers, I wanted to create an Urban Fantasy setting that was something like a magical version of New York...but I didn't want it to actually be New York. I want it to be any city and every city -- a place that anyone from anywhere could go to or relate to. The idea of placing it on the border of Elfland came from the fact that I'd just re-read a fantasy classic called The King of Elfland's Daughter by the Irish writer Lord Dunsany. I love stories that take place on the borderlands between two different worlds...and so I borrowed this concept, but adapted it to a modern, punky, urban setting. I drew upon elements of the various cities I knew best -- New York, Boston, London, Dublin, maybe even a little of Mexico City, where I'd been for a little while as a teen -- and scrambled them up and turned them into Bordertown. There actually IS a Mad River in southern Ohio (where I went to college) and I always thought that was a great name, so I imported it to Bordertown. As for the water being red, that came from the river of blood in the Scottish folk ballad "Thomas the Rhymer," which Thomas must cross to get into Elfland. [speaking about the Borderland series she "founded" and how she came up with the setting. Link to source; Q&A with Holly, Ellen & Terri!] ↗
