I used to watch 'The Apprentice' all the time and I thought Bill was a fox. That was that, we didn't see each other for years, and then we saw each other and 45 minutes after the cameras stopped rolling, we were still talking. ↗
I used to sit near Marilyn Monroe in the Actor's Studio. She'd get dressed up because that was her identity. Sad. Those cameras wouldn't leave her alone. She didn't know where to hide. ↗
I go from pub to pub, or jumping on buses or stopping cars. I don't need a TV audience. Every time I go naked, all of a sudden TV cameras pop up around me. ↗
It's technically demanding to shoot in 3-D. It's an extra element. Also, just the size of the cameras. They look like these 'Transformers' monsters; they are incredibly big, many of them. ↗
I directed 24's pilot. I felt we should follow the characters around as if we were a documentary crew, using available light, hand-held cameras, split screens, sound that isn't always what it should be, to suit the reality of the premise. ↗
What does it tell you that applications for guns since the shooting are up 41 percent in Colorado, and that our cameras found about 50 people in line at one gun shop yesterday outside Denver? ↗