An acting assistant stage manager in a theater in Canterbury, a rep theater. A small wage but just enough to get by on, and I made props and I walked on, and I changed scenery, and I realized that I just loved it. ↗
There is certain relief in change, even though it be from bad to worse! As I have often found in traveling in a stagecoach, that it is often a comfort to shift one's position, and be bruised in a new place. ↗
I hate modern car radios. In my car, I don't even have a push-button radio. It's just got a dial and two knobs. Just AM. One knob makes it louder, and one knob changes the station. When you're driving, that's all I want. ↗
What irritates me is the bland way people go around saying, 'Oh, our attitude has changed. We don't dislike these people any more.' But by the strangest coincidence, they haven't taken away the injustice; the laws are still on the books. ↗
I couldn't speak Japanese very well, passport regulations were changing, I felt British, and my future was in Britain. And it would also make me eligible for literary awards. But I still think I'm regarded as one of their own in Japan. ↗
I was a little concerned that a lot of people thought I wrote Merchant Ivory movies. I also thought if I was ever going to write something strange and difficult, that was the time. ↗
But my question is, am I compromising by adapting my words for the audience and where is the line beyond which I am not adapting words, but changing my position? ↗