No subscription or hidden extras
Read through the most famous quotes by topic #british
If Caribbean writers have one single unifying theme, it is a strong sense of place, and of home. There is also - always, beneath the humour, which is a West Indian characteristic - a sadness: an awareness of a past that can never really be forgotten, or forgiven." From The Writing Of The Caribbean, The Atlas Of Literature, edited by Malcolm Bradbury ↗
#caribbean #guyana #westindies #wi #home
Guilt and misery shrink, by a natural instinct, from public notice: they court privacy and solitude: and even in their choice of a grave will sometimes sequester themselves from the general population of the churchyard, as if declining to claim fellowship with the great family of man; thus, in a symbolic language universally understood, seeking (in the affecting language of Mr. Wordsworth) ’ Humbly to express A penitential loneliness. ↗
What the semicolon's anxious supporters fret about is the tendency of contemporary writers to use a dash instead of a semicolon and thus precipitate the end of the world. Are they being alarmist? ↗
Lying there in bed, dangling in a zone somewhere between sleep and consciousness, he was overcome by a strange feeling: that he was losing control of his life, and for the first time in recent years was unsure of the direction it was taking him." Carl Dias reflects on life in RACING WITH THE RAIN ↗
1lb beefstak, with 1pt bitter beer every 6 hours. 1 ten-mile walk every morning. 1 bed at 11 sharp every night. And don't stuff your head with things you don't understand. ↗
Statistics show that the nature of English crime is reverting to its oldest habits. In a country where so many desire status and wealth, petty annoyances can spark disproportionately violent behaviour. We become frustrated because we feel powerless, invisible, unheard. We crave celebrity, but that’s not easy to come by, so we settle for notoriety. Envy and bitterness drive a new breed of lawbreakers, replacing the old motives of poverty and the need for escape. But how do you solve crimes which no longer have traditional motives? ↗
According to Yiannis' sister Irini, who had trained as a hairdresser in London, the British spent their long winters in grey and black, and this was why they chose such gaudy colours for the summer: turquoise with blue, orange with pink, mauve with indigo. Colours that didn't go well with the bleached hair of the women and the reddish flush of tans that resulted from too great a greediness for the sun, as if Mother Nature, who hated to be hurried, had imprinted her exasperation on their skin. ↗
Beautiful prairies, bordered by lofty hills sparsely scattered with timber, stretch around. The massive fronds of the Pinus Ponderosa replace the elegant leaflets of the Cedar, no longer found save rarely, perchance, in some deep dell moistened by a purling streamlet. Groves of aspen appear here and there. The Balsam Poplar shows itself at intervals only, along the streams. The white racemes of the Service-berry flower, and the chaste flowers of the Mock Orange, load the air with their fragrance. Every copse re-echoes with the low drumming of the ruffed Grouse; the trees resound with the muffled booming of the Cock of the Woods. The Pheasant shirrs past; the scrannel-pipe of the larger Crane -- ever a watchful sentinel -- grates harshly on the ear; and the shrill whistle of the Curlew as it soars aloft aides the general concert of the re-opined year. I speak still of Spring; for the impressions of that jocum season are ever the most vivid, and naturally recur with the greatest force in after years. -- Alexander Caulfield Anderson describing the new brigade trail between Lac la Hache and Kamloops. ↗
A five-week sand blizzard?" said Deep Thought haughtily. "You ask this of me who have contemplated the very vectors of the atoms in the Big Bang itself? Molest me not with this pocket calculator stuff. ↗
