#cinema

Hollywood has its own way of telling stories. I was just telling stories that I was familiar with. And it's what I want to do in the future: I want to take my audio cinema and put it on the screen. ↗

— Ice T

#cinema #familiar #future #hollywood #i

I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema. ↗

— Quentin Tarantino

#american #american cinema #art #becoming #cinema

It's a standard staple in Japanese cinema to cut somebody's arm off and have red water hoses for veins, spraying blood everywhere. ↗

— Quentin Tarantino

#blood #cinema #cut #everywhere #hoses

I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way. ↗

— Julie Taymor

#film #i #stage #techniques #theatrical

Her first really great role, the one that cemented the “Jean Arthur character,” was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra’s rendition of Kaufman and Hart’s You Can’t Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). “Jean Arthur is my favorite actress,” said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. “. . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress.” Capra obviously recognized that Jean was often frustrated in her career choice. ↗

— Eve Golden

#classic-hollywood #film #films #frank-capra #hollywood

The projector's beam lay warm on Walt's neck, and he knew they'd all been plucked from danger and love, from another time, another place, and set back into this dark, sticky-floored theater, in the heart of nothing much that mattered. ↗

— Alan Heathcock

#nothing #love

I think American cinema, particularly, has become so disposable. It's not even cinema, It's just moviemaking. ↗

— Eriq La Salle

#american cinema #become #cinema #disposable #even

Well the least favourite question is the one that one's asked particularly about in Japan is what's the difference between theatre and cinema and I think, well, that's about eighty bucks. ↗

— Andrew Lloyd Webber

#asked #between #bucks #cinema #difference

R means under 18 accompanied by an adult. Therefore all corporately funded films in the US must be made with the concept that those under the age of 18 are able to view the film. This means all corporately funded films in the US are made for the eyes of children. ↗

— Crispin Hellion Glover

#film #interview #movies #mpaa #r

Anybody who comes to the cinema is bringing they're whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to. ↗

— David Cronenberg

#bringing #cinema #comes #culture #got