After Lock, Stock, all these really nasty small town characters came knocking at my door trying to tell me stories, and somehow I ended up with this guy whose brother was feeding people to pigs, and that's what he did to get rid of people. ↗
Previously, on Lock, Stock, I went to bed at two in the morning and woke up at five in the morning, and on this one I was known to nod off on the set occasionally. ↗
All the other guys I think had a scream on Lock, Stock. They just had a laugh and a crack, and thought it would never come out; they were just having a good time. On this one, I felt that. ↗
I suppose directing on set is the most fun because it's a good crack and you feel you're on the battlefield whereas writing is a fairly solitary undertaking. ↗
Well, what I try to do is throw as much mud on the wall as I possibly can and just see what sticks, what shines as quirky or more interesting that the others, and I try to cling onto that one, somehow join a link from there to there. ↗
The trick is to have my own particular taste and feel for the theater to audiences who have been used to one particular style and taste for nearly 40 years. ↗
