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Read through the most famous quotes by topic #constraints
Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom. ↗
At a minimum, in explaining evolutionary pathways through time, the constraints imposed by history rise to equal prominence with the immediate advantages of adaptation. ↗
If we define optimism broadly as the tendency to maintain a positive outlook, then realistic optimism is the tendency to maintain a positive outlook within the constraints of the available "measurable phenomena situated in the physical and social world" (DeGrandpre, 2000, p. 733). With respect to fuzzy meaning, realistic optimism involves enhancing and focusing on the favorable aspects of our experiences. Examples include being lenient in our evaluation of past events, actively appreciating the positive aspects of our current situation, and routinely emphasizing possible opportunities for the future. With respect to fuzzy knowledge, realistic optimism involves hoping, aspiring, and searching for positive experiences while acknowledging what we do not know and accepting what we cannot know. ↗
#constraints #evaluation #opportunities #optimism #positivity
The constraints of melodrama can be a great blessing, because they demand that all the characters involved - as absurd and extreme as they may initially seem - must stay utterly rooted in their own reality, or the whole project collapses. ↗
pour que tu sois libre de la liberté du chanteur qui improvise sur l'instrument à cordes, ne faut-il pas que je t'exerce d'abord les doigts et t'enseigne l'art du chanteur? Ce qui est guerre, contrainte et endurance. Et pour que tu sois libre de la liberté du montagnard, ne faut-il pas que tu aies exercé tes muscles, ce qui est guerre, contrainte et endurance? Et pour que tu sois libre de la liberté du poête, ne faut-il pas que tu aies exercé ton cerveau et forgé ton style, ce qui est guerre, contrainte et endurance? (chapitre CLII) ↗
Space, like time, engenders forgetfulness; but it does so by setting us bodily free from our surroundings and giving us back our primitive, unattached state ... Time, we say, is Lethe; but change of air is a similar draught, and, if it works less thoroughly, does so more quickly. ↗
She understood the genre constraints, the decencies we were supposed to be observing. The morally cosy vision allows the embrace of monstrosity only as a reaction to suffering or as an act of rage against the Almighty. Vampire interviewee Louis is in despair at his brother’s death when he accepts Lestat’s offer. Frankenstein’s creature is driven to violence by the violence done to him. Even Lucifer’s rebellion emerges from the agony of injured pride. The message is clear: By all means become an abomination—but only while unhinged by grief or wrath. By rights, Talulla knew, she should have been orphaned or raped or paedophilically abused or terminally ill or suicidally depressed or furious at God for her mother’s death or at any rate in some way deranged if she was to be excused for not having killed herself, once it became apparent that she’d have to murder and devour people in order to stay alive. The mere desire to stay alive, in whatever form you’re lumbered with—werewolf, vampire, Father of Lies—really couldn’t be considered a morally sufficient rationale. And yet here she was, staying alive. You love life because life’s all there is. ↗
