#criticism

After all, how many of our todays and of our tomorrows do we want to give our yesterdays? It is one thing to be victimized by another. It is quite another to victimize ourselves because we cannot learn from the past or forgive. Those who choose to live in the past, to live in the land of regret and complaint, do so at the sacrifice of their todays and their tomorrows. ↗

— John Lewis Lund

#forgiveness #forgiveness

When art critics get together they talk about Form and Structure and Meaning. When artists get together they talk about where you can buy cheap turpentine. ↗

— Pablo Picasso

#criticism #art

Everywhere I go I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them. There's many a best-seller that could have been prevented by a good teacher. ↗

— Flannery O'Connor

#humor #writing #humor

As long as people believe in the written word and a good story.. They will believe in me. ↗

— Solange nicole

#literary-criticism #inspirational

Under a bad leadership Serbs are capable of committing the most terrible atrocities; under good leaders we can do great deeds. It's like a field - if it's not cared for, the weeds will take over. But if you tend it, water and feed the seeds, you will read a bountiful harvest. Serbs are lazy, we lack discipline and have no capacity for self-criticism." With Their Backs to the World ↗

— Åsne Seierstad

#leadership #self-criticism #serbs #leadership

Domination and critique have always formed an apparatus covertly against a common hostis: the conspirator, who works under cover, who used everything THEY give him and everything THEY attribute to him as a mask. The conspirator is everywhere hated, although THEY will never hate him as much as he enjoys playing his game. No doubt a certain amount of what one usually calls “perversion” accounts for the pleasure, since what he enjoys, among other things, is his opacity. But that isn’t the reason THEY continue to push the conspirator to make himself a critic, to subjectivate himself as critic, nor the reason for the hate THEY so commonly express. The reason is quite simply the danger he represents. The danger, for Empire, is war machines: that one person, that people transform themselves into war machines, ORGANICALLY JOIN THEIR TASTE FOR LIFE AND THEIR TASTE FOR DESTRUCTION. ↗

— Tiqqun

#criticism #destruction #domination #metaphysics #subjectivity

A true artist willingly removes their heart, allows constructive criticism to stomp it, then puts it back--bruised and aching--to continue improving due to the all-consuming obsessive love for their art. ↗

— H.G. Mewis

#h-g-mewis #true-artist #art

However, for Hardy the possibility of poetry’s traditional function of transcendence remains, but in a more limited form. In Hardy’s work the poet transcends himself towards humanity, affirming the central values of loving-kindness and fellowship. ↗

— Geoffrey Harvey

#love

We are always sure that the heroine is fiery and passionate, which is quite an achievement when the plot has had to keep her passive, inactive and loveless for long stretches. Up to the point when Jane's love declares itself, the novel establishes the passion largely by negatives—a method very prophetic of that of D. H. Lawrence, who was in many ways influenced by Charlotte Brontë. ↗

— Ian Gregor

#love

I've always looked on criticism as a sort of envious tribute. ↗

— F. Scott Fitzgerald

#envy #jealousy #the-beautiful-and-damned #tribute #beauty