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Read through the most famous quotes by topic #david
Susannah." My dance partner's breath was soft against my cheek. "Susannah...." Yeah. In my dreams. In real life, the voice calling my name wasn't a bit masculine. That's because it belonged to a twelve-year-old boy. ↗
#doc #every-girl-s-dream #susannah-simon #the-mediator #dreams
Some days i'm bursting at the seams With all my half remembered dreams And then it shoots me down again I feel the dampness as it creeps I hear you coughing in your sleep Beneath a broken window pane Tomorrow girl i'll buy you chips A lollipop to stain your lips And it'll all be right as rain This ain't no love that's guiding me ↗
I get back in the Continental and continue down the road to the cafe. Then I pull in and there's Larry Johnson's '57 Ford pickup in the parking lot. As I enter the little cafe, I see Larry and Briggs in the corner, drinking some coffee and having a late breakfast. I go right over and sit down with them. We don't say much. David says something about Kirby getting a job at one of the studios. Kirby is very good with his hands and can fix anything, plus he has a very friendly personality. We are happy for him. Larry has to make a call and gets up, heading for the pay phone in the corner. He has us get him another coffee when the waitress comes back. Briggs looks at me and asks what I've been doing. ↗
The first time I hung out with [David Blaine], he took me to this condemned building, and it had a pizza oven and he crawled into the pizza oven and turned the heat on to 400 degrees or something like that, and he stayed in it for I guess a half hour. He came out, and except for one or two second-degree burns, he was unscathed. You meet a lot of musicians and filmmakers and actors, but it's rare to meet someone who can step inside a pizza oven and take the heat. I was intrigued by that. ↗
Believe me I do understand and I am disgusted by the idea that we should aim for any less for a child from a poor background than a rich one. ↗
-What's so funny?" "-Sorry," David said, reddening again. "You just taste so sweet." "-What do you mean, sweet?" He licked his bottom lip one more time. "-You taste like honey." "-Honey?" "-Yeah, I thought I was going nuts the day...well, you know, that one day. But it was the same today. Your mouth is really sweet." He paused for a second, then grinned. "-Hot like honey-like nectar. That makes more sense." "-Great. Now I'm going to have to explain that to everyone I kiss for the rest of my life unless it's you or another faerie." She'd almost said Tamani's name. Her fingers flew to the ring around her neck. David shrugged. "-Then don't kiss anyone except me." "-David..." "-I'm just offering up the obvious solution," he said, hands up in protest. ↗
Part of the reason I actually preferred Twin Peaks's second season to its first was the fascinating spectacle of watching a narrative structure disintegrate and a narrative artist freeze up and try to shuck and jive when the plot reached a point where his own weaknesses as an artist were going to be exposed (just imagine the fear: this disintegration was happening on national TV). ↗
