#design

I had an interview once with some German journalist—some horrible, ugly woman. It was in the early days after the communists—maybe a week after—and she wore a yellow sweater that was kind of see-through. She had huge tits and a huge black bra, and she said to me, ‘It’s impolite; remove your glasses.’ I said, ‘Do I ask you to remove your bra? ↗

— Karl Lagerfeld

#chanel #communists #designer #fashion #glasses

In their simplicity and directness [neon signage is] a kind of urban iconography with which we can identify on many levels. — Rudi Stern ↗

— Philip Di Lemme

#neon #urban #design

To have a style is to be stuck. ↗

— Jonah Lehrer

#design

When I started writing I wanted the best tools. I skipped right over chisels on rocks, stylus on wet clay plates, quills and fountain pens, even mechanical pencils, and went straight to one of the first popular spin-offs of the aerospace program: the ballpoint pen. They were developed for comber navigators in the war because fountain pens would squirt all over your leather bomber jacket at altitude. (I have a cherished example of the next generation ballpoint, a pressurized Space Pen cleverly designed to work in weightlessness, given to me by Spider Robinson. At least, I cherish it when I can find it. It is also cleverly designed to seek out the lowest point of your desk, roll off, then find the lowest point on the floor, under a heavy piece of furniture. That's because it is cylindrical and lacks a pocket clip to keep it from rolling. In space, I presume it would float out of your pocket and find a forgotten corner of your spacecraft to hide in. NASA spent $3 million developing it. Good job, guys. I'm sure it's around here somewhere.) ↗

— John Varley

#nasa #pens #tools #writing #design

If there is shit all around me, how can I eat my ice cream? ↗

— S. Balaram

#social-responsibility #design

As the wall between advertising and content erodes, the aptitude required to understand the functions and design of media content becomes more complex. ↗

— Matthew P. McAllister

#media #design

Church wasn't designed by an architect (Technically, Jesus was a carpenter.). So why do we think of churches as buildings instead of groups of people who love Jesus? ↗

— Dillon Burroughs

#design

But when does something's destiny finally come to fruition? Is the plant complete when it flowers? When it goes to seed? When the seeds sprout? When everything turns into compost? ↗

— Leonard Koren

#design

The ignorant Looker-on can't imagine what the Limner means by those seemingly rude Lines and Scrawls, which he intends for the Rudiments of a Picture, and the Figures of Mathematick Operation are Nonsense, and Dashes at a Venture, to one uninstructed in Mechanicks. We are in the Dark to one another's Purposes and Intendments; and there are a thousand Intrigues in our little Matters, which will not presently confess their Design, even to sagacious Inquisitors ↗

— Joseph Glanvill

#design

4. Radicalism of forms. If a new model once created meets with much success on account of its greater efficiency than its predecessor, it lends certain neighbouring forms a formal radicalism, which attempts to borrow from the appearance of the new form: for example, bronze tools that had reached the furthest development of their utility had a disastrous influence on stone tools, warping them toward an elegance that could only be attained in bronze. Today aviation has imposed its aerodynamic forms even on baby strollers and irons. This radicalism of forms is a result of the fact that people become bored when they do not find some unexpected element in the familiar. This radicalism might seem illogical, as the advocates of standardization believe, but we must not forget that discovery is only made possible by this need of humanity. ↗

— Tom McDonough

#design