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Animals are property. There are laws that supposedly protect animal interests in being treated “humanely,” but that term is interpreted in large part to mean that we cannot impose “unnecessary” harm on animals, and that is measured by what treatment is considered as necessary within particular industries, and according to customs of use, to exploit animals. The bottom line is that animals do not have any respect-based rights in the way that humans have, because we do not regard animals as having any moral value. They have only economic value. We value their interests economically, and we ignore their interests when it is economically beneficial for us to do so. At this point in time, it makes no sense to focus on the law, because as long as we regard animals as things, as a moral matter, the laws will necessarily reflect that absence of moral value and continue to do nothing to protect animals. We need to change social and moral thinking about animals before the law is going to do anything more. http://www.abolitionistapproach.com/m... ↗
Nevertheless the severance is rather casual and it drops a stain on our admiration of Nora. Ibsen has put the leaving of her children on the same moral and emotional level as the leaving of her husband and we cannot, in our hearts, asssent to that. It is not only the leaving but the way the play does not have time for suffering, changes of heart. Ibsen has been too much a man in the end. He has taken the man's practice, if not his stated belief, that where self-realization is concerned children shall not be an impediment. ↗
#feminsim #ibsen #motherhood #writing #change
Xander Stryker." A thick, rich voice filled the hall. The speaker stopped at the altar, standing in a blue robe. His thick brown hair was slicked back and tied in a small ponytail in the back and his solid blue eyes--matching the shade of his robe--shifted from one to the other. Xander blinked several times, clearing the grogginess from his mind, and began to sit up, nodding his respects at the newcomer. "My name is Ronen," the newcomer said, bowing his head as he took a step towards him, "and it will be my pleasure to guide you through the change." he stopped for a moment, smiling warmly, before carefully lifting Xander’s left arm. Before continuing, he locked his gaze on Xander's, "You are sure that this is what you want?" Xander nodded. There was a sharp sting then as Ronen bit into his wrist and Xander flinched before a warm rush made the pain subside and the room began to spin. Thrown off kilter, Xander felt himself start to fall as the poison seeped into the veins of his arm and, after a long, lingering moment, crawled past his shoulder and into his chest--into his heart--where it suddenly exploded into a full-body inferno. He was burning to death! When he was certain that he was on fire there was a sudden cool rush; a wave of ice that ran through the length of his body and seeped into his core until he found his eyelids and pried them open. The image of Depok and Ronen came into focus and he was vaguely aware of Depok's left hand on his shoulder as the pure-blood pulled his fangs away from his wrist. Mind still reeling, Xander noticed, not without a bit of shock, that he was still lying on top of the altar. A moment later, his eyes rolled back in his skull and the lights from the candles melted into a solid glow that swallowed him and faded to black. As Death swooped down and enveloped him, he heard Depok's voice in the distance: "Welcome home, Xander. ↗
#change #crimson-shadow #fang #goth #horror
For the anarch, little has changed; flags have meaning for him, but not sense. I have seen them in the air and on the ground like leaves in May and November; and I have done so as a contemporary and not just as a historian. The May Day celebration will survive, but with a different meaning. New portraits will head up the processions. A date devoted to the Great Mother is re-profaned. A pair of lovers in the wood pays more homage to it. I mean the forest as something undivided, where every tree is still a liberty tree. For the anarch, little is changed when he strips off a uniform that he wore partly as fool’s motley, partly as camouflage. It covers his spiritual freedom, which he will objectivate during such transitions. This distinguishes him from the anarchist, who, objectively unfree, starts raging until he is thrust into a more rigorous straitjacket. ↗
The journey through another world, beyond bad dreams beyond the memories of a murdered generation, cartographed in captivity by bare survivors makes sacristans of us all. The old ones go our bail, we oblate preachers of our tribes. Be careful, they say, don't hock the beads of kinship agonies; the moire-effect of unfamiliar hymns upon our own, a change in pitch or shrillness of the voice transforms the ways of song to words of poetry or prose and makes distinctions no one recognizes. Surrounded and absorbed, we tread like Etruscans on the edge of useless law; we pray to the giver of prayer, we give the cane whistle in ceremony, we swing the heavy silver chain of incense burners. Migration makes new citizens of Rome. ↗
Psychic change, as Todorov has recognized, subverted the genre in another way, by revoking the cultural taboos, the social censorship, that had prohibited the overt treatment of psychosexual themes, which then found covert expression in the supernatural tale. 'There is no need today to resort to the devil [or to posthumous reverie] in order to speak of excessive sexual desire, and none to resort to vampires in order to designate the attraction exerted by corpses: psychoanalysis, and the literature which is directly or indirectly inspired by it, deal with these matters in undisguised terms. The themes of fantastic literature have become, literally, the very themes of the psychological investigations of the last fifty years. ↗
Space, like time, engenders forgetfulness; but it does so by setting us bodily free from our surroundings and giving us back our primitive, unattached state ... Time, we say, is Lethe; but change of air is a similar draught, and, if it works less thoroughly, does so more quickly. ↗
If you believe in the eighteenth century view of the mind, you will look and act wimpy. You will think that all you need to do is give people the facts and the figures and they will reach the right conclusion. You will think that all you need to do is point out where their interests lie, and they will act politically to maximize them. You will believe in polling and focus groups: you will believe that if you ask people what their interests are, they will be aware of them and will tell you, and will vote on it. You will not have any need to appeal to emotion---indeed, to do so would be wrong! You will not have to speak of values; facts and figures will suffice. You will not have to change people's brains; their reason should be enough. You will not have to frame the facts; they will speak for themselves. You just have to get the facts to them... ↗
#does-it-make-a-sound #george-lakeoff #humor-inspirational #humor-irony-death-zombie #life-and-living
