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A brick is what the aliens gave me to communicate with them. It’s easy to operate. Just go to a party, or any crowded location, place the brick on your head, and stand perfectly still until they open up lines of communication. If you talk to Egbok Wangor, tell him I want the twenty bucks he owes me—and I’ll even give you a twenty percent collector’s fee. ↗
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I hold the biscuits in front of his face and he stands up. "What do I have to do?" he says. "Nothing," I say. "They're for you." "Are they poisoned?" he says. "No," I say. "Eat one," he says. So I do. "Probably the others are poisoned," he says. "Eat a fraction of each." I eat a corner off each biscuit. He looks at the reminders suspiciously, then sniffs them. "I'm not sure it's worth it," he says. "How I wish you'd never come. Perhaps you've left the poison off of just those corners." I begin to realize I'll doubt whatever information he gives me. "Lick the entire biscuit," he says. "Then give them to me." So I lick each biscuit. "Both sides," he says. I lick both sides of each biscuit. I give him the wet biscuits and he cracks them open and sniffs them. Then he puts them in his pocket. "What do you want?" he says. "Now that you've failed to poison me to death. ↗
Woolrich had a genius for creating types of story perfectly consonant with his world: the noir cop story, the clock race story, the waking nightmare, the oscillation thriller, the headlong through the night story, the annihilation story, the last hours story. These situations, and variations on them, and others like them, are paradigms of our position in the world as Woolrich sees it. His mastery of suspense, his genius (like that of his spiritual brother Alfred Hitchcock) for keeping us on the edge of our seats and gasping with fright, stems not only from the nightmarish situations he conjured up but from his prose, which is compulsively readable, cinematically vivid, high-strung almost to the point of hysteria, forcing us into the skins of the hunted and doomed where we live their agonies and die with them a thousand small deaths. ↗
Midnight" The hours glide Like drops of water on a window pane Midnight silence Fear unrolls in the air And the wind hides at the bottom of the well OH It's a leaf We think the earth is going to end Time stirs in the shadow Everyone is asleep A SIGH Inside the house someone has just died ↗
Albus Severus," kata Harry pelan, sehingga tak ada orang lain kecuali Ginny yang bisa mendengarnya, dan Ginny cukup bijaksana untuk berpura-pura melambai kepada Rose, yang sekarang sudah di atas kereta, "kau dinamakan seperti dua kepala sekolah Hogwarts. Salah satunya adalah Slytherin dan dia barangkali orang paling berani yang pernah kutemui. ↗
If birth is a manifestation of life, death is another. ↗
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