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Read through the most famous quotes by topic #doll
For the few months that I was living vicariously through wine I came to the conclusion that what my heart desired reflected it’s damage; that I’m too spoiled to be eaten, I can’t live with not knowing how strange tongues taste, And that sometimes we’re all a kind of mosaic of feeling. There was one night in particular: Outside, I lit my cigarette and cuddled with it. You stood up with your back against the hard light that gave you the halo of a pseudo angel and Whisked me up like I was broken. I wasn’t. Was I to feel that in your touch I was but a million little pieces? Is that what you wanted? Were your weird intentions golden? The wine did the talking when I couldn’t say how much I didn’t understand your inner workings Perchance you’d try to explain. This was the same night the clock broke after I finally coughed out my distain for Your laziness, your lack of responsibility, your growing pains (even though you weren’t growing) and I think you kissed me to shut me up (even though the wine said it was love). I froze for a while. In time’s absence I studied you instead of my books. Each advancement in knowing you an even bigger advancement in the theory that I had That you were the opposite of beautiful. We are the artists of our mosaics. We choose its pallet and if your heart screams red, then blues and yellows will become the peripheries. You were muted with the desire for playing with the Colours you couldn’t make. The wine made me realize that what was broken didn’t require your mending that wine was the only way you could be anything but cowardly. ↗
Nevertheless the severance is rather casual and it drops a stain on our admiration of Nora. Ibsen has put the leaving of her children on the same moral and emotional level as the leaving of her husband and we cannot, in our hearts, asssent to that. It is not only the leaving but the way the play does not have time for suffering, changes of heart. Ibsen has been too much a man in the end. He has taken the man's practice, if not his stated belief, that where self-realization is concerned children shall not be an impediment. ↗
#feminsim #ibsen #motherhood #writing #change
In the jumbled, fragmented memories I carry from my childhood there are probably nearly as many dreams as images from waking life. I thought of one which might have been my earliest remembered nightmare. I was probably about four years old - I don't think I'd started school yet - when I woke up screaming. The image I retained of the dream, the thing which had frightened me so, was an ugly, clown-like doll made of soft red and cream-coloured rubber. When you squeezed it, bulbous eyes popped out on stalks and the mouth opened in a gaping scream. As I recall it now, it was disturbingly ugly, not really an appropriate toy for a very young child, but it had been mine when I was younger, at least until I'd bitten its nose off, at which point it had been taken away from me. At the time when I had the dream I hadn't seen it for a year or more - I don't think I consciously remembered it until its sudden looming appearance in a dream had frightened me awake. When I told my mother about the dream, she was puzzled. 'But what's scary about that? You were never scared of that doll.' I shook my head, meaning that the doll I'd owned - and barely remembered - had never scared me. 'But it was very scary,' I said, meaning that the reappearance of it in my dream had been terrifying. My mother looked at me, baffled. 'But it's not scary,' she said gently. I'm sure she was trying to make me feel better, and thought this reasonable statement would help. She was absolutely amazed when it had the opposite result, and I burst into tears. Of course she had no idea why, and of course I couldn't explain. Now I think - and of course I could be wrong - that what upset me was that I'd just realized that my mother and I were separate people. We didn't share the same dreams or nightmares. I was alone in the universe, like everybody else. In some confused way, that was what the doll had been telling me. Once it had loved me enough to let me eat its nose; now it would make me wake up screaming. ("My Death") ↗
Topher Brink: I'm working! What are you doing? Besides being... Adelle DeWitt: Being what? Topher Brink: Wait a minute... Adelle DeWitt: Sarcastic? Unfeeling? British? Topher Brink: It's an animal. Adelle DeWitt: Where? Topher Brink: No, the word! Adelle DeWitt: Still you have to admit, I am... very British. I don't say hard R's. Topher Brink: You know what I like? Brown sauce. What's it made of? Science doesn't know! Adelle DeWitt: It's made of brown. Topher Brink: Brown. Mined from the earth by the hardscrabble brown miners of North Brownderton. Adelle DeWitt: Oh, my God. I find lentils completely incomprehensible. What the sun-dappled hell is Echo doing at Fremont? Topher Brink: That's got nothing to do with the drug, which means our problems are huge and indomitable. Adelle DeWitt: Ooh. I could eat that word. Or a crisp. Do you have any crisps? Topher Brink: You haven't seen my drawer of inappropriate starches? C'mon, c'mon, c'mon, c'mon! Adelle DeWitt: Oh my god, I'm having such a terrible day. ↗
Perhaps you know someone whose heart clutches onto the bittersweet memory of the one who got away. Someone who secretly bears the weight of this imperceptible burden wherever he or she goes, every day of his or her life. Someone who’d gladly travel back in a time machine to a day when paths diverged, to mend together that which has been torn apart, setting destiny back on its rightful track — if only he or she could. Perhaps you know this someone better than you think. And should this someone happen to be you, may you find strength and support in the millions of others who shoulder this burden with you, and may you be reintroduced one day to true love… in this lifetime and whatever comes after. ↗
#sand-dollar #sebastian-cole #the-one-that-got-away #the-one-who-got-away #life
