You know, we've got to this place, where you go to a movie for one particular surgical fix. So, it's like, I want the pulse-pounding action, or the insane falling-off-my-seat comedy, or the devastating, heart-breaking drama. ↗
My life isn't that dramatic. My dad really loves me, he just can't talk on the phone. He's too crippled and shy, and that's almost harder. He's there and he loves me, and I try and try and try, it's just impossible to have a relationship. ↗
These wrestlers aren't organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There's a lot of drama there. ↗
Nature is my springboard. From her I get my initial impetus. I have tried to relate the visible drama of mountains, trees, and bleached fields with the fantasy of wind blowing and changing colors and forms. ↗
It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama. ↗
Things are changing. I've been training since I was 9 years old to stretch my wings as an actor dramatically, but have never really been afforded the opportunity to show that. ↗
My own theory is that we are in the middle of a dramatic and broad technological and economic shift in which software companies are poised to take over large swathes of the economy. ↗
