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Hidden away behind the closed doors of aristocratic and bourgeois privilege, concealed under those ultra-respectable masks of black frock coat and veil, the green glow of corruption flickers into sight, steadies, and spreads everywhere, fostered by Lorrain's horrified and complicitous gaze. This decadent detective is at one with the criminal he pursues, acknowledging openly that the representation of corruption is one of the most pleasurable forms that corruption can take. In this enterprise, art is the mask that both exposes and conceals culpability. ↗
Innate in nearly every artistic nature is a wanton, treacherous penchant for accepting injustice when it creates beauty and showing sympathy for and paying homage to aristocratic privilege. ↗
All that we make and do is shaped by the communities and traditions that contain us, not to mention by money, power, politics, and luck. And even should the artist or scientist think she as extracted herself from the world to stand alone in the studio, a tremendous array of faculties and mind-states may well attend her creativity. ↗
(On the great colonel Robert Green Ingersoll) There was logic even in his laughter. He passed the cup of mirth, and in its sparkling foam were found the gems of unanswerable truth. Every variety of power was in this orator, – logic and poetry, humor and imagination, simplicity and dramatic art, moral and boundless sympathy. . . The effect on the people was indescribable. The large theatre was crowded from pit to dome. The people were carried from plaudits of his argument to loud laughter at his humorous sentences, and his flexible voice carried the sympathies of the assembly with it, at times moving them to tears by his pathos. ↗
