#editor

I remember when an editor at the National Geographic promised to run about a dozen of my landscape pictures from a story on the John Muir trail as an essay, but when the group of editors got together, someone said that my pictures looked like postcards. ↗

— Galen Rowell

#dozen #editor #editors #essay #geographic

Never the less, at the age of fifteen, having never seen a writer, a poet, a publisher or a magazine editor, and having only the vaguest ideas of procedure, I began working on the profession I had chosen. ↗

— Robert E. Howard

#began #chosen #editor #fifteen #had

A good editor understands what you're talking and writing about and doesn't meddle too much. ↗

— Irwin Shaw

#editor #good #meddle #much #talking

I don't understand how some of these young actresses are wearing such provocative, editorial items, when they haven't even established a career yet. It's hard to see past that. I'm not so sure that's smart in the long run. ↗

— Allison Williams

#editorial #established #even #hard #haven

You know, people always think if you start out as a film editor, you shoot less footage. Actually, just the opposite is true. I tend to grab as much coverage as I can because as a former editor I know how important it is to have those few frames. ↗

— Robert Wise

#always #because #coverage #editor #few

What had brought me to New York in the autumn of 1972 was a letter of recommendation written by Norman Mailer, the author of 'The Naked and the Dead' and American literature's leading heavyweight contender, to Dan Wolf, the delphic editor of 'The Village Voice.' ↗

— James Wolcott

#author #autumn #brought #contender #dan

I felt old. Again. It had been happening a lot lately. I did not live the life of an old lady, but I could hear it beckoning to me, like a mermaid on a rock." — Michelle Tea, "Paris: A Lie" from the anthology Pills, Thrills, Chills and Heartache ↗

— Clint Catalyst and MIchelle Tea

#anthology #clint-catalyst #editors #experimental #first-person-narrative

I do have a small collection of traditional SF ideas which I've never been able to sell. I'm known as a fantasy writer and neither my agent nor my editors want to risk my brand by jumping genre. ↗

— Lynn Abbey

#agent #been #brand #collection #editors

If every editor turns you down, maybe you should take a second look at your text, however, just in case. ↗

— Piers Anthony

#down #editor #every #however #just

Editors of open anthologies actively seek submissions from all comers, established and unknown. They are willing to read whatever the tide washes up at their feet. ↗

— Lynn Abbey

#anthologies #comers #editors #established #feet