#era

Women's liberty", "women's independence" are words on everybody's lips these days, but they stay on the lips and don't go any further. Do you know why? I've found out that liberty can be obtained neither by theoretical arguments, nor by pleading justice and morality, nor by staging a concerted quarrel with men at a meeting. It's something that no one can give to another - not something to be owed or paid as a due. ..you can easily understand that it comes of its own accord - through one's own fulfillment, by the enlargement of one's own soul. ↗

— Sharat Chandra Chattopadhyay

#women-s-liberation #men

Dr. S. talked to me about magical thinking. She was right. Much depends on chance, on what we can't control, on others. She did not say that writing to Boris was a bad idea, but then she never judged anything. That was her magic. [p. 85] ↗

— Siri Hustvedt

#men

We fail to prevail with unconverted men because of our more fundamental failure to prevail with God in prayer. ↗

— John R. Mott

#prayer #men

Do you know why teachers use me? Because I speak in tongues. I write metaphors. Every one of my stories is a metaphor you can remember. The great religions are all metaphor. We appreciate things like Daniel and the lion’s den, and the Tower of Babel. People remember these metaphors because they are so vivid you can’t get free of them and that’s what kids like in school. They read about rocket ships and encounters in space, tales of dinosaurs. All my life I’ve been running through the fields and picking up bright objects. I turn one over and say, Yeah, there’s a story. And that’s what kids like. Today, my stories are in a thousand anthologies. And I’m in good company. The other writers are quite often dead people who wrote in metaphors: Edgar Allan Poe, Herman Melville, Washington Irving, Nathaniel Hawthorne. All these people wrote for children. They may have pretended not to, but they did. ↗

— Ray Bradbury

#literature #metaphors #writing #art

Vulnerability is the birthplace of innovation, creativity and change. ↗

— Brené Brown

#creativity #innovation #vulnerability #change

We love the imperfect shapes in nature and in the works of art, look for an intentional error as a sign of the golden key and sincerity found in true mastery. ↗

— Dejan Stojanovic

#dejan-stojanovic #golden #golden-rule #imperfect #imperfection

Of course, in fairness, I must remind you of this: that we writers are the most lily-livered of all craftsmen. We expect more, for the most peewee efforts, than any other people. ↗

— Brenda Ueland

#expectations #perseverance #writing #art

As to the war with Japan, the President had already received my memorandum in general as to the possibility of getting a substantial unconditional surrender from Japan which I had written before leaving Washington and which he had approved. ↗

— Henry L. Stimson

#approved #before #general #getting #had

Like symbolism, decadence puts forth the idea that the function of literature is to evoke impressions and 'correspondences', rather than to realistically depict the world. ... the decadent aestheticized decay and took pleasure in perversity. In decadent literature, sickness is preferable to health, not only because sickness was regarded as more interesting, but because sickness was construed as subversive, as a threat to the very fabric of society. By embracing the marginal, the unhealthy and the deviant, the decadents attacked bourgeois life, which they perceived as the chief enemy of art. ↗

— Asti Hustvedt

#bourgeois #decadence #decadent #deviant #literature-decay

The first phase of modernism, which so far as the English language goes we associate with Pound and Yeats, Wyndham Lewis and Eliot and Joyce, was clerkly enough, sceptical in many ways; and yet we can without difficulty convict most of these authors of dangerous lapses into mythical thinking. All were men of critical temper, haters of the decadence of the times and the myths of mauvaise foi. All, in different ways, venerated tradition and had programmes which were at once modern and anti-schismatic. This critical temper was admittedly made to seem consistent with a strong feeling for renovation; the mood was eschatological, but scepticism and a refined traditionalism held in check what threatened to be a bad case of literary primitivism. It was elsewhere that the myths ran riot. ↗

— Frank Kermode

#men