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Read through the most famous quotes by topic #fair
This brings me to the question of the antiquity of the belief in fairies and to the associated problem of the existence of strata or stages in fairy belief. The antiquity of the belief is revealed by the wide distribution of tales concerning fairies, while it is also indicated by the antipathy of the elves to iron and salt - ancient taboos both. Not only so, but many traits respecting fairies, especially shape-shifting and the belief in their semi-corporeal state, are eloquent of primitive notions. That the process of the fairy belief witnessed more than one stage of development in the course of successive ages appears more than probable. 'The fairies of one race,' remarks Wentz, 'are the people of the preceding race.' If this statement lacks a certain precision, one realizes the implication; that is, that the ghosts or gods of a preceding race may come to be regarded by their successors as fairies. ↗
#fairy #pagan-gods #age
But this is not to say that a highly specialized body of belief such as that associated with Faerie is not capable of subsidiary explanations apart from this very general conclusion, specially in connection with those later and accretive ideas which must have grown up around it. Admittedly there is a common basis for the origin of all beliefs associated with the origin of spirits, which is to be found alone in the doctrine of animism. This notwithstanding, and with all due respect to the warnings of Krappe, Hartland, and others concerning the risks accruing to the scientific classification of spiritual forms, certain types of spirits with markedly separate characteristics have assuredly been conceived, and have been given diverse denominations and descriptions by those who believed in their existence. Of this the fairy type is indeed a case in point; and however correct it may be to say that it cannot basically be separated from the ghost, the goblin, or the demon, it has, in the course of ages, assumed characteristics which in a secondary sense distinguish it sufficiently from all of these to permit the scientific observer, and to some extent the peasant or the savage, to rank it as a separate variety of spirit, if not as a distinct species. ↗
All three of the English types I have mentioned can, I think, be accounted for as the results of the presence of different cultures, existing side by side in the country, and who were the creation of the folk in ages distantly removed one from another. In a word, they represent specific " strata" of folk-imagination. The most diminutive of all are very probably to be associated with a New Stone Age conception of spirits which haunted burial-mounds and rude stone monuments. We find such tiny spirits haunting the great stone circles of Brittany. The "Small People," or diminutive fairies of Cornwall, says Hunt, are believed to be "the spirits of people who inhabited Cornwall many thousands of years ago. "The spriggans, of the same area, are a minute and hirsute family of fairies" found only about the cairns, cromlechs, barrows, or detached stones, with which it is unlucky to meddle." Of these, the tiny fairies of Shakespeare, Drayton, and the Elizabethans appear to me to be the later representatives. The latter are certainly not the creation of seventeenth-century poets, as has been stated, but of the aboriginal folk of Britain. ↗
Mustardseed grinned at Bertie. "I was never any good at geometry, but you’re stuck in a love triangle, aren’t you?" "Shut up," she ordered even as Moth asked, "But what if there were four of them?" "That’s a love rectangle, and five people would be a love pentagon." "And what are six people in love?" Cobweb demanded. Mustardseed thought it over a moment. "Manslaughter, I suppose. ↗
#cobweb #faires #funny #humor #love-triangles
The merging of characteristics between different species creates a very powerful language, one that I love to explore through my art, enabling me to tap into the unconscious. ↗
#fairy-tales #legends #myth #art
The whole tradition of [oral] story telling is endangered by modern technology. Although telling stories is a very fundamental human attribute, to the extent that psychiatry now often treats 'narrative loss' -- the inability to construct a story of one's own life -- as a loss of identity or 'personhood,' it is not natural but an art form -- you have to learn to tell stories. The well-meaning mother is constantly frustrated by the inability of her child to answer questions like 'What did you do today?' (to which the answer is usually a muttered 'nothing' -- but the 'nothing' is cover for 'I don't know how to tell a good story about it, how to impose a story shape on the events'). To tell stories, you have to hear stories and you have to have an audience to hear the stories you tell. Oral story telling is economically unproductive -- there is no marketable product; it is out with the laws of patents and copyright; it cannot easily be commodified; it is a skill without monetary value. And above all, it is an activity requiring leisure -- the oral tradition stands squarely against a modern work ethic....Traditional fairy stories, like all oral traditions, need the sort of time that isn't money. "The deep connect between the forests and the core stories has been lost; fairy stories and forests have been moved into different categories and, isolated, both are at risk of disappearing, misunderstood and culturally undervalued, 'useless' in the sense of 'financially unprofitable. ↗
A mist. A great mist. It covered the entire kingdom. And everyone in it - the good people and the not so good, the young people and the not-so-young, and even Briar Rose's mother and father fell asleep. Everyone slept: lords and ladies, teacher and tummlers, dogs and doves, rabbits and rabbitzen and all kinds of citizens. So fast asleep they were, they were not able to wake up for a hundred years. ↗
