I used to think no one should go into show biz, but now I feel differently. I now feel like it's a great career. If you can do it and make money at it and still not be so famous that you can have a normal life - then I think it's a great career. ↗
I was on stage and I was like I will pay someone to do my time, not only will I expect NOT to be paid, but I will pay someone if I can run off stage right now. It was so bad. ↗
First off, I don't want anyone to think I'm this huge thing in Japan. Every group from here that's made any records over any length of time - even indie bands - have a Cheap Trick effect in Japan. ↗
I have more perspective now, and am happier now. It's not that I don't want success, but I now know I can have success at a lower level and make much more money doing it by myself. I make $6 or $7 bucks a record vs. nothing off those other records. ↗
I wanted Kimi to be a Japanese record with a Japanese title. I wanted it to be for them. They appreciate things on a different level, and take their art very seriously - that's special if you're an artist. ↗
When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge. ↗
Growing up in the business you have to grow up very fast - you do have a different type of childhood, that has its benefits and it has its drawbacks. ↗
Nothing is so great an example of bad manners as flattery. If you flatter all the company, you please none; If you flatter only one or two, you offend the rest. ↗
